SFSU Cinema Department

SFSU Cinema Department The mission of San Francisco State University's Cinema Department is to foster the unique artistic and critical voice inherent to each of our students.

The Cinema Department was founded amid the political activism and artistic experimentation of the 1960s. Today, as then, the department is committed to a curriculum which recognizes cinema to be an independent, powerful and unique medium in the world. SFSU Cinema's programs combine theory and practice; students are encouraged to engage in scholarship and to pursue production in all forms of cinematic expression. In the 1990s, a new facility was constructed, featuring a 2500 square-foot shooting stage, greatly enlarging the department's post-production studios and labs, and beginning the transition from analogue to digital processes. A new screening room, the Coppola Theater (FA 101), equipped for both 16mm and 35mm projection and featuring a Dolby sound system, was named for former Dean of Creative Arts August Coppola, whose efforts were primarily responsible for funding the new building. Digital upgrades to sound and editing labs have further modernized the department's production facilities.

Assistant Professor in Media Industries and AIJob  Film and Media Studies / College of Letters & Science - Humanities an...
10/08/2026

Assistant Professor in Media Industries and AI
Job
Film and Media Studies / College of Letters & Science - Humanities and Fine Arts / UC Santa Barbara
Position overview
Position title: Assistant Professor
Salary range: $88,300-$114,400
Percent time: 100% FTE
Anticipated start: July 1, 2027 or later
Application Window
Open date: October 6, 2026

Next review date: Friday, Nov 6, 2026 at 11:59pm (Pacific Time)
Apply by this date to ensure full consideration by the committee.

Final date: Wednesday, Jun 30, 2027 at 11:59pm (Pacific Time)
Applications will continue to be accepted until this date, but those received after the review date will only be considered if the position has not yet been filled.

Position description
The Department of Film and Media Studies at UC Santa Barbara invites applications for a tenure-track Assistant Professor position in Media Industries and AI. We seek a scholar whose research and teaching examines artificial intelligence as a media industry phenomenon, including its infrastructures, labor, political economy, regulation, and cultural, artistic, and social implications. We welcome candidates working on any global region and through any critical, historical, or empirical methodology, including but not limited to production studies, platform and infrastructure studies, science and technology studies, critical algorithm studies, political economy, labor studies, cultural and industrial history, and creative or practice-based research on generative media.

We are especially interested in candidates who can speak to one or more of the following: the restructuring of film, television, gaming, digital media, and/or music industries by AI systems; the labor of AI production, from data annotation to creative and technical work displaced or transformed by automation; the environmental, material, and geopolitical infrastructures underlying AI; algorithmic culture, recommendation systems, and platform governance; or the aesthetics, authorship, and cultural politics of generative and synthetic media.

This position calls for a humanities-based, critical, media industries approach to the study of AI—one attentive to history, culture, power, embodiment, and meaning-making, rather than a purely technical or computational orientation. We therefore welcome scholars whose work engages AI and media industries through racial, gender, q***r, global and/or transnational, environmental, creative, and other critical approaches.

Candidates for the position will be expected to teach in our core Film and Media Studies undergraduate and graduate curriculum, and to develop new courses—large lecture classes and smaller seminars—in their areas of expertise. They ideally will participate in existing research clusters and centers within our department, including the Carsey-Wolf Center and its Media Industries and AI Research Initiative, the Global Media Technologies and Cultures Lab, and Wireframe Studio, as well as those associated with other departments, programs, and centers on campus.

The faculty of the Department of Film and Media Studies engages in scholarship and pedagogy across multiple scholarly approaches, fostering a dynamic and expansive understanding of film and media study. We are a robust department with over 500 undergraduate majors and 30 doctoral students. With this appointment, we seek to extend the department’s scholarly and curricular strengths and advance our department’s commitment to diverse, interdisciplinary research and teaching.

Qualifications
Basic qualifications (required at time of application)
The minimum qualification to be considered for this position is the completion of all requirements for a PhD except the dissertation in Film and Media Studies or a related discipline at the time of application.

Additional qualifications (required at time of start)
Evidence of an active research agenda
Completion of PhD by appointment start date
Preferred qualifications
Teaching experience at the university or college level defined as a minimum of one year as teaching assistant or instructor of record
Evidence of a strong commitment to teaching as indicated by syllabi, teaching evaluations, reference letters, or candidate teaching statement
Record of peer-reviewed publications
Demonstrated interest in and use of innovative teaching methods and tools
Application Requirements
Document requirements
Curriculum Vitae - Your most recently updated C.V.

Letter of Application - Two pages outlining the candidate's research, teaching, and service experience and their qualifications for the position.

Statement of Research - Two pages describing the applicant's current and future research program in media industries and AI, situating their work within film and media studies, articulating a clear trajectory for future scholarship.

Statement of Teaching - Two pages addressing teaching qualifications, pedagogical approaches, and potential contributions to the teaching culture of the department.

Sample Syllabus #1 - A sample syllabus for a large lecture course

Sample Syllabus #2 - A sample syllabus for a small seminar course

Teaching Evaluations - Evidence of Teaching Effectiveness - These might include course evaluation scores, student narrative evaluation of teaching performance, and/or peer or supervisor observation.
(Optional)

Reference requirements
3-5 letters of reference required
We must receive letters from a minimum of 3 references. Applicants must request letters of reference through the UC Recruit system in order to complete their application.

Apply link: https://recruit.ap.ucsb.edu/JPF03168
Help contact: [email protected]

About UC Santa Barbara
As a condition of employment, the finalist will be required to disclose if they are subject to any final administrative or judicial decisions within the last seven years determining that they committed any misconduct.

“Misconduct” means any violation of the policies or laws governing conduct at the applicant’s previous place of employment, including, but not limited to, violations of policies or laws prohibiting s*xual harassment, s*xual assault, or other forms of harassment or discrimination as defined by the employer.
UC Sexual Violence and Sexual Harassment Policy
UC Anti-Discrimination Policy for Employees, students and third parties
APM - 035: Affirmative Action and Nondiscrimination in Employment
Additionally, you will be required to comply with the University of California Policy on Vaccination Programs, as may be amended or revised from time to time. Federal, state, or local public health directives may impose additional requirements.

The University of California is an Equal Opportunity Employer. All qualified applicants will receive consideration for employment without regard to race, color, religion, s*x, s*xual orientation, gender identity, national origin, disability, age, protected veteran status, or other protected status under state or federal law.

Job location
Santa Barbara, CA

University of California Santa Barbara is hiring. Apply now!

“Turn Away,” a new film by alum Nicolas Jara (BA, ‘18), continues its successful festival run, with official selections ...
10/01/2026

“Turn Away,” a new film by alum Nicolas Jara (BA, ‘18), continues its successful festival run, with official selections for FilmQuest, SFLFF, NYLFF, and Catalina Film Festival.

The film is supported by the Latino Film Institute (LFI) and the Netflix Fund for Creative Equity. Nico was one of 10 directors selected last year for the annual LFI Inclusion Fellowship, an initiative that supports emerging filmmakers by providing a $50,000 production grant, personalized mentorship, and strategic industry connections.

The short is a psychological thriller about a dazed gunshot victim who awakens from a coma and experiences post-traumatic amnesia. Shortly after awakening, he is snuck out of a San Francisco hospital by his suspicious partner. As they venture onto a boat under the cover of the night, a chilling revelation threatens to tear them apart.

Congrats Nic!

Belated congratulations to Conall Jones (BA, ’05) and the team behind “All the Empty Rooms”! The short documentary, whic...
10/01/2026

Belated congratulations to Conall Jones (BA, ’05) and the team behind “All the Empty Rooms”! The short documentary, which Jones produced with director Joshua Seftel, won the Academy Award for Best Documentary Short earlier this year.

The 33-minute film delivers a deeply moving look at the aftermath of school shootings by focusing on the preserved bedrooms of children who were killed — spaces left untouched by grieving families as memorials to lives cut short.

Conall described the moment as both powerful and bittersweet, as families featured in the film celebrated together while grieving.

This year brings another honor with Conall being inducted into SF State’s Alumni Hall of Fame. He along with five outstanding alumni will be honored at a celebration dinner on Friday, Nov 6th at the InterContinental San Francisco.

In the School of Cinema, he developed the creative foundation that would lead him into documentary filmmaking and television production.

“I discovered my love for documentary at SF State,” he said. “I remember taking Greta Snider’s class, I think it was Documentary 101, and [falling] in love with an art form that could have a real world impact. Since I finished that class, it’s been my main passion in life.”

The film is now streaming on Netflix.

This summer in Ensenada, Prof. Rafael Flores represented SF State Cinema at the Cal State University International Progr...
09/30/2026

This summer in Ensenada, Prof. Rafael Flores represented SF State Cinema at the Cal State University International Programs conference, visiting Universidad Autónoma de Baja California (UABC) and CETYS Universidad.

In addition to presenting his work for the Latino/a/é Film Club, Prof. Flores met with local faculty and administrators to lay the groundwork for future academic and cultural exchanges, and explored a potential Mexico study abroad program for our Cinema students.

Rafael Flores is Assistant Professor at the School of Cinema. He is a Phi Beta Kappa Scholar who specializes in Directing, Social Justice Film Production, Chicano Cinema, and Third Cinema. His work has been recognized by various institutions that include: The White House, The Grammy Foundation, The San Francisco Foundation, The California Endowment, TED-X lecture series, the Cannes International Film Festival, the Writer’s Guild Theater of America, the London Guardian, and the Chicano International Film Festival.

Exciting news! Prof. Weimin Zhang’s acclaimed documentary “Of Color and Ink" has landed educational distribution with Co...
09/30/2026

Exciting news! Prof. Weimin Zhang’s acclaimed documentary “Of Color and Ink" has landed educational distribution with Collective Eye Films. Specializing in stories that spark critical classroom conversations, Collective Eye brings this beautiful film to university curricula, library streaming, and classroom screening worldwide.

“Of Color and Ink” discovers the unknown exile journey of global artist Chang Dai-chien (1899-1983), China’s foremost 20th-century painter, often compared with Picasso. His paintings outsell van Gogh, and he has held the record as the best-selling artist at auction. After one of China’s most famous artists left his homeland, his life was a mystery. Until now.

The film continues its festival run and is also available to stream on Amazon, Apple TV, Google Play and YouTube.

Weimin Zhang a Professor of Cinema at San Francisco State University. An award-winning director, cinematographer, and multimedia designer, she has made numerous acclaimed films, documentaries, and TV drama series in both China and the United States.

Congrats Prof. Zhang!

As this year’s 53rd Student Academy Awards ceremony comes to a close, we want to look back at this extraordinary moment ...
09/30/2026

As this year’s 53rd Student Academy Awards ceremony comes to a close, we want to look back at this extraordinary moment two years ago when alum Birdy Wei-ting Hung (MFA, ‘24) took home gold in the Alternative/Experimental category for her thesis film, “A Brighter Summer Day for the Lady Avengers.”

The film is an incredible pastiche of the history of Taiwanese cinema, imbued with Birdy’s interests in experimental aesthetics. It builds a vivid narrative of s*xual awakening, exploring gender and s*xuality, historical trauma, affect, the abject, and pleasure.

The film has gone on to screen and garner accolades at top festivals worldwide. We could not be more proud of Birdy and her growth as a filmmaker!

As the Oscar voting season begins, we want to celebrate one year since our very own Johnny Symons was admitted as a memb...
09/29/2026

As the Oscar voting season begins, we want to celebrate one year since our very own Johnny Symons was admitted as a member of the Documentary Branch of the Academy of Motion Picture Arts and Sciences (AMPAS)!

Johnny Symons is a Professor in the School of Cinema at San Francisco State University and the director and co-founder of the Q***r Cinema Project. He is also an Emmy-nominated independent documentarian whose films focus on social justice and LGBTQ issues.

He has directed many award-winning films including Daddy & Papa, Ask Not, and Assembly, which he co-directed and co-produced with Rashaad Newsome, and is currently available to watch on the PBS Documentaries Youtube channel.

His producing credits include the Academy Award-nominated feature Long Night’s Journey Into Day, Pray Away, Your Mother’s Comfort, Ahead of the Curve and Chasing Portraits.

Join us in congratulating Professor Symons! Best of luck at this year’s Oscars voting season.

Congratulations to alum Annie Pancak (MFA ‘26) whose thesis film “Summer Camp” made its world premiere at the 57th Nashv...
09/28/2026

Congratulations to alum Annie Pancak (MFA ‘26) whose thesis film “Summer Camp” made its world premiere at the 57th Nashville Film Festival!

The film follows Annie’s niece, 14-year-old Skye and her friends as they reunite for a week of summer camp. Crushes, body image, and shifting friendships are all intensified by a small love triangle within the group. Through dialogue between Skye and her filmmaker aunt, Summer Camp explores how much—and how little—has changed in the emotional landscape of girlhood.

The film screened in-person on Sat, Sep 26th, and is available to stream online September 28 - October 5. Go to nashvillefilmfestival.org for more info.

After an amazing festival run, including a world premiere at SXSW, and screenings at SFIFF and Palm Springs, “Camp Widow...
09/28/2026

After an amazing festival run, including a world premiere at SXSW, and screenings at SFIFF and Palm Springs, “Camp Widow” has been selected as a Vimeo Staff Pick.

The 15-min documentary, directed by Prof. Laura Green and Anna Moot-Levin, immerses us in a weekend gathering where widowed people of all ages and backgrounds find community, practical resources, and unexpected joy.

Laura Green is an Associate Professor at San Francisco State University and an award-winning documentary director and editor whose work has screened at Tribeca, SXSW, and Hot Docs. She recently directed the three film Matter of Mind series for PBS’ Independent Lens, and her editing work includes the Gotham and IDA-nominated documentary web-series The F-Word.

“Camp Widow” is available for free streaming on Vimeo and PBS Independent Lens.

We want to shout out Dr. Artel Great whose new book “The Black Pack: Comedy, Race, and Resistance” was recently publishe...
09/28/2026

We want to shout out Dr. Artel Great whose new book “The Black Pack: Comedy, Race, and Resistance” was recently published by Rutgers University Press.

The book is the first to chronicle the untold history of the legendary group of comedians—Eddie Murphy, Paul Mooney, Keenen Ivory Wayans, Robert Townsend, and Arsenio Hall—who joined forces as the “Black Pack” in the late 1980s to create a series of socially-charged comedies that revolutionized popular culture and transformed American comedy. Copies are available online.

Dr. Great is the George and Judy Marcus Endowed Chair in African-American Cinema Studies and Associate Professor of Film & Media Studies at San Francisco State University. He is also the Cultural Critic-in-Residence at San Francisco's Museum of the African Diaspora, where he has established a dynamic public programming platform.​

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