Remembering Documentary Filmmaker James Blue (1930-1980)

Remembering Documentary Filmmaker James Blue (1930-1980) You used to come to us, but now we have to search you out wherever we can find you. -David MacDougall Marker plays with them, plays with them verbally.

James Blue discussing Chris Marker:
"You know the triple pun that Godard did on the whole thing. He says the problem with Leacock is that he's failed to footnote his Rouches with his magic marker, which, I guess is a way of dealing with the whole problem of the ontology of cinema. Leacock and the American direct cinema/cinema verite group represent the thought that one can simply go out and shoot

and come back with the truth. Then there's the kind of material Rouch produces, which in the middle '60's, was reflexive. He tried to deal with the problem of the relationship of the filmmaker and the subject--Chronicle of a Summer (1961) was one such film. And then there's Marker, who is always flagrantly personal about everything he does, but arrives at a certain degree of honesty by making it so flagrant that it can only be considered an essay. The tension in Marker comes from the fact that you know you're dealing with images taken from the real world--quite often anyway--but they are being bombarded by ideas that transform them constantly in front of your eyes into something else. That kind of playfulness, almost preciousness, that Marker has is a trademark. His would represent the totally subjective attitude, Rouch being the midpoint between the subjective and the filmmaker/subject involvement in a relationship, and Leacock being the idea of simply recording it and putting it out...I like to see myself somewhere square in the middle of that triangle..." --James Blue's last interview, January, 1980 with Anthony Bannon, Afterimage 8 (October, 1980).

https://www.facebook.com/share/p/1ZcxX8dBm1/  James Blue and Michael Gill's 1965 Film Comment interview with Peter Watki...
11/07/2025

https://www.facebook.com/share/p/1ZcxX8dBm1/ James Blue and Michael Gill's 1965 Film Comment interview with Peter Watkins is mentioned below on the Film at Lincoln Center Fb page:

❤️ As we remember the great Peter Watkins (1935-2025), revisit an explosive Film Comment magazine interview with the English filmmaker from 1965 as he discusses his film THE WAR GAME and much more: filmcomment.com/article/the-war-game-an-interview-with-peter-watkins

07/05/2024

In memory of Colin Young, 1927-2021

Colin Young on James Blue from June 3, 1981:

James Blue. The words have been written about James Blue. I’ve written some of them, and I always forget how to describe him properly. He was a superb filmmaker, who gave himself too little time to make film; he could have been as influential a writer about film as Bazin but talked too much (and generously) and wrote too little (he wasn’t the only one) for this to be generally known. And he was a superb teacher with his influence felt by a generation of students in California, Texas, New York and Britain. But this too will be invisible after a few years because too many of us made too many demands on him for too long. His importance will not be as clear in his published work (including his films) as it was to us who worked with him and learned from him.

It doesn’t take much to set the record straight as some of us found out in Paris this spring when the Centre Pompidou presented a retrospective of his work during the Cinema du Reel Festival. As the films were seen by a crowd which increased in size each day, it was not only his old friends who were moved. We helped to set the works in context—Gerald O’Grady, David MacDougall and I. helped by Louis Marcorelles, Jean Rouch, Jean Pellegri (who wrote and acted in The Olive Trees of Justice). The Paris audience was understandably a bit nervous about the political optimism of the Alliance for Progress films (shot in Colombia for USIA) but at the same time were touched by their humanity and by their expressiveness—to be confirmed by his later report, also with Stevan deFreist Larner on camera in A Few Notes on Our Food Problem. They were totally unprepared for the Houston tapes, finding it hard to conceive of a television system in Europe which would be open to such a work. We explained that James had helped create the points of access in Texas and elsewhere—that everything had to be fought for. The real surprise for everyone was Kenya Boran, his one collaboration with David MacDougall which combines research with narrative, pursuing an abstract idea (acculturation through education) by following specific characters in a Boran village.

It we can find the time, if we can avoid the trap which ensnared James Blue, it would be worthwhile to rescue from his interviews and ephemeral writing the book (or books) which are buried there. Let’s hope it can be done.

Posted by Richard Herskowitz:  May HaDuong of the UCLA Film Archive moderated a great discussion with George Stevens, Jr...
10/03/2023

Posted by Richard Herskowitz: May HaDuong of the UCLA Film Archive moderated a great discussion with George Stevens, Jr., UO Prof. David Frank, NARA archivist Criss Austin, and historian William Jones following a virtual screening of James Blue's THE MARCH that you can access below. My colleagues at the James Blue Project have organized screenings of the film around the country honoring the 60th anniversary of the 1963 March on Washington. Unfortunately, UCLA found it necessary to redact the sound of Martin Luther King's voice while delivering the "I Have a Dream" speech, because of a copyright claim from the King family. The suppression of the speech by King's heirs is an ongoing tragedy bemoaned by many Civil Rights historians and advocates. In defiance of this, the James Blue Project has posted the complete film here: https://themarch.uoregon.edu/.

Produced by the United States Information Agency (USIA) for foreign distribution, the acclaimed documentary The March (1963) represents an indelible record of one of the most historic events of the civil rights movement. On August 28, 1963, over 250,000 individuals from across the U.S. assembled to....

Recorded on August 28, 1975, this interview was produced for Gerald O'Grady's TV series, FILM-MAKERS, a joint presentati...
06/13/2023

Recorded on August 28, 1975, this interview was produced for Gerald O'Grady's TV series, FILM-MAKERS, a joint presentation of Media Study/Buffalo and WNED

Recorded on August 28, 1975, this interview was produced for Gerald O'Grady's TV series, FILM-MAKERS, a joint presentation of Media Study/Buffalo and WNED.

Iconic images from James Blue’s award-winning USIA civil rights documentary, THE MARCH (1963/64) are artfully incorporat...
10/05/2022

Iconic images from James Blue’s award-winning USIA civil rights documentary, THE MARCH (1963/64) are artfully incorporated into Oprah Winfrey and Reginald Hudlin’s engaging film about Sidney Poitier, SIDNEY.
Blue’s footage can be seen in the Martin Luther King segment of SIDNEY.

Historians and film experts honours the legendary Sidney Poitier and his legacy as an iconic actor, filmmaker and activist at the centre of Hollywood and the Civil Rights Movement.

From Richard Herskowitz:The James Blue Project website has added, in honor of Jean-Luc Godard and William Klein (who bot...
09/15/2022

From Richard Herskowitz:

The James Blue Project website has added, in honor of Jean-Luc Godard and William Klein (who both passed away this week), James Blue's interviews with the directors. The whole James Blue Project website has been upgraded, so dive in!

Interviews The tapes listed below are of James Blue’s interviews with film directors, historians, critics, producers, and actors, and are part of the UO James Blue Archive. They were catalogued by Randy H. Jacobs in June 1981. The approximate running time is over 160 hours. The interviews were con...

Criss Kovac, who supervised the digital restoration of James Blue's, THE MARCH (1964) which culminates with Martin Luthe...
08/28/2022

Criss Kovac, who supervised the digital restoration of James Blue's, THE MARCH (1964) which culminates with Martin Luther King's "I Have a Dream" speech, discusses the making of the film and its reception.

Today’s post is from Criss Kovac. Criss is the supervisor of the Motion Picture Preservation Lab, which is responsible for performing conservation and preservation work on motion picture reco…

07/14/2022

British-Canadian documentarian and direct cinema pioneer Terence Macartney-Filgate has died in Toronto. The filmmaker died on July 11 from complications resulting from Parkinson’s disease. He was 9…

06/30/2022

In Memory of Richard N. Blue, 1936 - 2022

Richard N. Blue, who had an illustrious and wide-ranging international career in the Senior Foreign Service and numerous other roles in international development, died on June 22, 2022, at home in Vero Beach Florida with his wife, Susan Holloran, his son Daniel, and grandsons Finn and Enzo Blue by his side.

Blue, 86, a charismatic thought leader, had his first international career exposure in Germany with the Army Signal Corps during the Korean conflict. His international interests continued over a lifetime, in academia and in the U.S. Agency for International Development and beyond. He lived in India and Thailand, worked throughout South and Southeast Asia, and later in Eastern Europe and Central Asia, representing the best of U.S. assistance efforts, creating positive relationships wherever he went. His home base was Washington, DC and the Blue Ridge in Loudoun County Virginia.

Richard Blue earned his PhD at Claremont Graduate University and began his career as a Professor of Political Science, South Asian Studies at the University of Minnesota. He was, above all, a teacher, an exceptional mentor, colleague, friend and inspiration to many whose lives he touched, professionally and personally. A natural leader, voracious reader, lover of classical music and student of history, he was always curious and interested in people and their personal histories and connected easily with everyone with engaging conversation. His genuineness, kindness, open heartedness and respect for others amplified a formidable intellect and shone through all his personal relationships.

In 1975 Blue was recruited to lead a faculty supporting USAID officers’ professional development; subsequently he led an Agency-wide impact evaluation initiative, the Impact Evaluation Series, worked on Capitol Hill drafting content and strategy for revision of the Foreign Assistance Act, directed the Office of Egypt Affairs and served in other leadership roles. After his retirement from USAID he joined The Asia Foundation where he served as Representative for Thailand, Laos, Cambodia and Vietnam. In recognition of his work in Thailand he was appointed by the King of Thailand as an “Officer of the Noble Order of the Crown of Thailand,” a highly unusual honor. He returned to Washington and helped grow a global management consulting firm, and worked with others in the field, traveling extensively in Eastern and Central Europe. His stories are legend.

In 2013 Richard shifted his focus to preserving the legacy of his brother James Blue, another story-teller, and an innovative, award winning film maker who died at age 49,leaving an impressive body of work now archived at the University of Oregon. Richard created, with his son Daniel, The James Blue Alliance, to preserve, restore and promulgate his brother’s films including The March, The Olive Trees of Justice (re mastered and released in 2022)and Who Killed Fourth Ward? At the time of his death, Richard was working to develop and fund a teaching syllabus for his brother’s films, including many made for the USIA in the 1960s and 70s, to be part of the curriculum at various grade levels in schools throughout the country and the world. A memorial fund to honor Richard will be set up to promote this work.

Richard Blue was the son of Harry and Pauline Blue of Portland Oregon. He is survived by his wife of 41 years Susan Holloran, daughter Michelle Blue Benedict, son Daniel (Jodi) Blue and his grandchildren Sarah Benedict, Todd Benedict, Finnigan Hawley-Blue, Rio Blue and Enzo Blue. A memorial service will be held in the Washington D.C. area in early fall 2022, arrangements for which may be found closer to the date at www.jamesblue.org or https://usaidalumni.org.

Rest In Peace, Richard N. Blue.Thank you for all that you’ve done to keep your brother’s memory alive.
06/25/2022

Rest In Peace, Richard N. Blue.

Thank you for all that you’ve done to keep your brother’s memory alive.

From Terry Gross' interview in AtBuffalo, The Magazine for alumni and friends of the State University of New York at Buf...
06/22/2022

From Terry Gross' interview in AtBuffalo, The Magazine for alumni and friends of the State University of New York at Buffalo (Spring 2017):

What professors or classes made an impact?

Terry: As a graduate student, I took a documentary cinema course--it was watching movies--with James Blue. That was great. The media studies department was really excellent.

But in terms of classes and activities, the most important thing that happened to me was WBFO. It was in the Student Union when I was there, on the same floor as The Spectrum. That changed my life more than anything.

Fresh Air with Terry Gross, one of public radio’s most popular programs, is celebrating its 35th anniversary and most recent Peabody Award. Each week, nearly...

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