UnionDocs

UnionDocs UnionDocs is a Center For Documentary Art based in Ridgewood, Queens.

Announcing the ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿณ ๐—จ๐—ก๐——๐—ข ๐—™๐—˜๐—Ÿ๐—Ÿ๐—ข๐—ช๐—ฆ!The fourth iteration of the fellowship welcomes filmmakersย Beatriz Santiago Muรฑoz, Ben ...
10/14/2026

Announcing the ๐Ÿฎ๐Ÿฌ๐Ÿฎ๐Ÿณ ๐—จ๐—ก๐——๐—ข ๐—™๐—˜๐—Ÿ๐—Ÿ๐—ข๐—ช๐—ฆ!

The fourth iteration of the fellowship welcomes filmmakersย Beatriz Santiago Muรฑoz, Ben Russell, Lee Anne Schmitt,ย andย Simon Liuย alongside writersย Almudena Escobar Lรณpez, Jacqueline Feldman, Tung-Hui Huย andย Phil Coldiron.โ€จโ€จWeโ€™re delighted to share these talented pairs and canโ€™t wait to delve into the exciting and ambitious research theyโ€™re dreaming up.

๐—•๐—˜๐—”๐—ง๐—ฅ๐—œ๐—ญ ๐—ฆ๐—”๐—ก๐—ง๐—œ๐—”๐—š๐—ข ๐— ๐—จร‘๐—ข๐—ญ | ๐—”๐—Ÿ๐— ๐—จ๐——๐—˜๐—ก๐—” ๐—˜๐—ฆ๐—–๐—ข๐—•๐—”๐—ฅ ๐—Ÿร“๐—ฃ๐—˜๐—ญ
How might filmmaking become a way of inventing rather than representing aesthetic experiences? Their research begins with a simple proposition: that cinemaโ€™s political potential may lie less in what it shows than in the forms of relation, collaboration, shared perception, and social relations it makes possible.

๐—•๐—˜๐—ก ๐—ฅ๐—จ๐—ฆ๐—ฆ๐—˜๐—Ÿ๐—Ÿ | ๐—๐—”๐—–๐—ค๐—จ๐—˜๐—Ÿ๐—œ๐—ก๐—˜ ๐—™๐—˜๐—Ÿ๐——๐— ๐—”๐—กโ€จHow can nonfiction take on the revolutionary project of making timeโ€”even nowโ€”livable for all? Filmmaker Ben Russell and writer Jacqueline Feldman train their attention on documentary filmโ€™s capacity, amidst a shattering of possibilities for solidarity and encounter, to restore to lived time its relational, durational potential.โ€จโ€จ๐—Ÿ๐—˜๐—˜ ๐—”๐—ก๐—ก๐—˜ ๐—ฆ๐—–๐—›๐— ๐—œ๐—ง๐—ง | ๐—ง๐—จ๐—ก๐—š-๐—›๐—จ๐—œ ๐—›๐—จ
What can the intimate details of everyday life reveal about the systems that shape our world? Their research turns to domestic life and its intimate landscapes as indexes of the collapse of larger systems in the present. โ€จโ€จ๐—ฆ๐—œ๐— ๐—ข๐—ก ๐—Ÿ๐—œ๐—จ | ๐—ฃ๐—›๐—œ๐—Ÿ ๐—–๐—ข๐—Ÿ๐——๐—œ๐—ฅ๐—ข๐—ก
What if the mirror documentary cinema holds up to reality were more like a funhouse? Their research approaches the documentary image as a site of opacity and distortion, one capable of producing truths irreducible to language. They asks how disorientation might become a means of deeply felt engagement rather than passive spectatorship.

The ๐—จ๐—ก๐——๐—ข ๐—™๐—ฒ๐—น๐—น๐—ผ๐˜„๐˜€๐—ต๐—ถ๐—ฝ is generously funded by ๐—๐˜‚๐˜€๐˜๐—™๐—ถ๐—น๐—บ๐˜€ [ย Ford Foundationย ]. Tremendous gratitude to our partnerย doclisboa iff! We will debut the research from this group this week at the 2026 DocLisboa Filmmaking Seminar. Click through to read the full proposals at the ๐Ÿ”— ๐—ถ๐—ป ๐—•๐—œ๐—ข!

๐—ง๐—›๐—จ๐—ฅ๐—ฆ, ๐—ข๐—–๐—ง ๐Ÿฎ๐Ÿฎ โ€” ๐Ÿณ:๐Ÿฏ๐Ÿฌ๐—ฃ๐—  โœ‚๏ธ๐ŸŽž๏ธJoin us for a special screening and conversation with filmmaker and animator Kelly Sears [Kel...
10/13/2026

๐—ง๐—›๐—จ๐—ฅ๐—ฆ, ๐—ข๐—–๐—ง ๐Ÿฎ๐Ÿฎ โ€” ๐Ÿณ:๐Ÿฏ๐Ÿฌ๐—ฃ๐—  โœ‚๏ธ๐ŸŽž๏ธ

Join us for a special screening and conversation with filmmaker and animator Kelly Sears [Kelly Sears], kicking off our upcoming workshop ๐—จ๐—ก๐—˜๐—”๐—ฆ๐—ฌ ๐—”๐—ฅ๐—ฅ๐—”๐—ก๐—š๐—˜๐— ๐—˜๐—ก๐—ง๐—ฆ: ๐—–๐—ข๐—Ÿ๐—Ÿ๐—”๐—š๐—˜, ๐—”๐—ก๐—œ๐— ๐—”๐—ง๐—œ๐—ข๐—ก & ๐—ง๐—›๐—˜ ๐—”๐—ฅ๐—–๐—›๐—œ๐—ฉ๐—˜!

Seasons vanish mid-frame, a telephoto lens reveals a spirit dimension, and a cross-species rebellion takes shape!

Moving between documentary and speculative fiction, Sears creates uncanny worlds where familiar images take on strange new lives. Spanning nearly two decades of her practice, this program brings together films that cut, layer, and reanimate archival and original imagery, transforming thousands of photographic and filmic fragments into unexpected narratives.

What happens when images are pulled from their original contexts and made to tell entirely different stories? Through collage and experimental animation, Sears opens up new ways of looking at the past, unsettling received histories and imagining alternate futures.

Following the screening, Sears will join writer, educator, and editor Catherine Taylor for a conversation. Come through!

๐ŸŽŸ๏ธ ๐—ง๐—œ๐—–๐—ž๐—˜๐—ง๐—ฆ ๐Ÿ”— ๐—œ๐—ก ๐—•๐—œ๐—ข!

๐—ฆ๐—จ๐—ก, ๐—ข๐—–๐—ง ๐Ÿญ๐Ÿด โ€” ๐Ÿณ:๐Ÿฏ๐Ÿฌ๐—ฃ๐—  โœจEnter the universe of three mujra dancers in Pakistan as they dodge state censors and violence to ...
10/12/2026

๐—ฆ๐—จ๐—ก, ๐—ข๐—–๐—ง ๐Ÿญ๐Ÿด โ€” ๐Ÿณ:๐Ÿฏ๐Ÿฌ๐—ฃ๐—  โœจ

Enter the universe of three mujra dancers in Pakistan as they dodge state censors and violence to vie for stardom.

Weโ€™re thrilled to join forces with our friends atย ็Š„่ง’ๆ—ฎๆ—ฏnooks & crannies for a special Q***r History Month screening ofย Saad Khanโ€™sย [ Saad Khan ] SHOWGIRLS OF PAKISTAN [ Showgirls Of Pakistan ], presented alongsideย Khajistanย andย Decrim NY!

Moving through the Punjabi theater industry, the film follows three women navigating state censorship, violence, desire, and the pursuit of fame. Weaving together intimate vรฉritรฉ, phone calls, social media streams, and home videos, Khan brings us into a world of extraordinary performers determined to make their own rules, onstage and off.

Following the screening, weโ€™ll be joined by directorย Saad Khanย and art director and co-editorย Joey Chriquiย [ joey chriqui ] for a conversation about the film and their work withย Khajistan, the New York-based archive and press dedicated to preserving censored, banned, and overlooked print and audiovisual culture from the Middle World.

Weโ€™ll also have a special selection of Khajistan publications and merch available throughout the evening, with the event raising funds forย DecrimNYย and their work to decriminalize, decarcerate, and destigmatize s*x trades in New York.

Come through!

๐—ง๐—œ๐—–๐—ž๐—˜๐—ง๐—ฆ ๐Ÿ”— ๐—œ๐—ก ๐—•๐—œ๐—ข!

TOMORROW, ๐—ง๐—›๐—จ๐—ฅ๐—ฆ, ๐—ข๐—–๐—ง ๐Ÿด โ€” ๐Ÿณ:๐Ÿฏ๐Ÿฌ๐—ฃ๐— ๐—ช๐—˜โ€™๐—ฅ๐—˜ ๐—ฆ๐—œ๐—–๐—ž ๐—ง๐—ข ๐——๐—˜๐—”๐—ง๐—› ๐—ข๐—™ ๐—”๐—Ÿ๐—Ÿ ๐—ง๐—›๐—œ๐—ฆ ๐—ก๐—ข๐—ก๐—ฆ๐—˜๐—ก๐—ฆ๐—˜ returns with round four: ๐˜‹๐˜๐˜๐˜ˆ๐˜š ๐˜‹๐˜Œ ๐˜”๐˜ˆ๐˜š ๐˜”๐˜œ๐˜Œ๐˜™๐˜›๐˜ˆ๐˜š. ๐Ÿ’€...
10/07/2026

TOMORROW, ๐—ง๐—›๐—จ๐—ฅ๐—ฆ, ๐—ข๐—–๐—ง ๐Ÿด โ€” ๐Ÿณ:๐Ÿฏ๐Ÿฌ๐—ฃ๐— 

๐—ช๐—˜โ€™๐—ฅ๐—˜ ๐—ฆ๐—œ๐—–๐—ž ๐—ง๐—ข ๐——๐—˜๐—”๐—ง๐—› ๐—ข๐—™ ๐—”๐—Ÿ๐—Ÿ ๐—ง๐—›๐—œ๐—ฆ ๐—ก๐—ข๐—ก๐—ฆ๐—˜๐—ก๐—ฆ๐—˜ returns with round four: ๐˜‹๐˜๐˜๐˜ˆ๐˜š ๐˜‹๐˜Œ ๐˜”๐˜ˆ๐˜š ๐˜”๐˜œ๐˜Œ๐˜™๐˜›๐˜ˆ๐˜š. ๐Ÿ’€๐ŸŒผโœจ

Weโ€™re so excited to add another poet and diva into the mix for this special night โ€”ย ๐— ๐—ฎ๐—ฟ๐—ถ๐˜€๐—ฎ ๐—–๐—ฟ๐—ฎ๐˜„๐—ณ๐—ผ๐—ฟ๐—ฑ [ Marisa Crawford ]! And to share that we will have a community ofrenda โ€” A true diva never really dies, does she?

Itโ€™s time to invoke thoseย merelyย departed from this plane, them baddies in our bones, keeping us keeping the flame.ย We, the nearly departed, will lay the marigolds on the altar together. Literally! Bring through objects, amulets, and spells to commemorate divas in their lives to add to the mix.

This night is curated by poet ๐—–๐—ต๐—ฟ๐—ถ๐˜€๐˜๐—ถ๐—ป๐—ฒ ๐—Ÿ๐—ฎ๐—ฟ๐˜‚๐˜€๐˜€๐—ผ [ ] and writer/curator ๐—ฅ๐—ฎ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น ๐—ฅ๐—ฎ๐—ธ๐—ฒ๐˜€ [ Rachael Rakes ]and it merges live performance, reading, sound, and moving image โ€” not quite a reading, not quite performance, not ekphrasis. WS2DOATN is a porous encounter between words, images, and whatever slips through.

Featuring:
โ€” Readings by poets ๐——๐—ผ๐—ฟ๐—ผ๐˜๐—ต๐—ฒ๐—ฎ ๐—Ÿ๐—ฎ๐˜€๐—ธ๐˜† [ Dorothea Lasky ], ๐— ๐—ฎ๐—ฟ๐—ถ๐˜€๐—ฎ ๐—–๐—ฟ๐—ฎ๐˜„๐—ณ๐—ผ๐—ฟ๐—ฑ [ Marisa Crawford ] & ๐—›๐—ฎ๐—ณ๐—ถ๐˜‡๐—ฎ๐—ต ๐—š๐—ฒ๐˜๐—ฒ๐—ฟ [ Hafizah Augustus Geter ]
โ€” A screening of ๐˜š๐˜–๐˜”๐˜Œ๐˜ž๐˜๐˜Œ๐˜™๐˜Œ ๐˜–๐˜•๐˜“๐˜  ๐˜ž๐˜Œ ๐˜’๐˜•๐˜–๐˜ž by ๐—๐—ฒ๐˜€๐˜€๐—ฒ ๐— ๐—ฐ๐—Ÿ๐—ฒ๐—ฎ๐—ป [ Jesse McLean ]
โ€”ย A screening of ๐˜—๐˜–๐˜š๐˜š๐˜๐˜‰๐˜“๐˜  ๐˜๐˜• ๐˜”๐˜๐˜Š๐˜๐˜๐˜Ž๐˜ˆ๐˜• by ๐—–๐—ฒ๐—ฐ๐—ฒ๐—น๐—ถ๐—ฎ ๐—–๐—ผ๐—ป๐—ฑ๐—ถ๐˜ [ Cecelia Condit ]

Come through ๐Ÿ•ฏ๏ธ๐Ÿ•ฏ๏ธ

๐—š๐—ฅ๐—”๐—• ๐—ง๐—œ๐—–๐—ž๐—˜๐—ง๐—ฆ ๐Ÿ”— ๐—œ๐—ก ๐—•๐—œ๐—ข

New workshop alert! ๐—–๐—”๐— ๐—˜๐—ฅ๐—” ๐— ๐—œ๐—ก๐—œ๐—ฆ๐—ง๐—ฅ๐—ฌ: ๐—Ÿ๐—˜๐—ก๐—ฆ-๐—•๐—”๐—ฆ๐—˜๐—— ๐—˜๐—ก๐—–๐—ข๐—จ๐—ก๐—ง๐—˜๐—ฅ๐—ฆ ๐Ÿ“ธ๐—ก๐—ข๐—ฉ ๐Ÿญ๐Ÿฏโ€“๐Ÿญ๐Ÿฑ, join filmmaker and photographer ๐—ž๐—ต๐—ฎ๐—น๐—ถ๐—ธ ๐—”๐—น๐—น๐—ฎ๐—ต [Kha...
10/06/2026

New workshop alert! ๐—–๐—”๐— ๐—˜๐—ฅ๐—” ๐— ๐—œ๐—ก๐—œ๐—ฆ๐—ง๐—ฅ๐—ฌ: ๐—Ÿ๐—˜๐—ก๐—ฆ-๐—•๐—”๐—ฆ๐—˜๐—— ๐—˜๐—ก๐—–๐—ข๐—จ๐—ก๐—ง๐—˜๐—ฅ๐—ฆ ๐Ÿ“ธ

๐—ก๐—ข๐—ฉ ๐Ÿญ๐Ÿฏโ€“๐Ÿญ๐Ÿฑ, join filmmaker and photographer ๐—ž๐—ต๐—ฎ๐—น๐—ถ๐—ธ ๐—”๐—น๐—น๐—ฎ๐—ต [Khalik Article] for a three-day workshop exploring lens-based storytelling as a practice of presence, connection, and encounter.

Across street photography, portraiture, and poetic documentary, Khalik has developed a fiercely original approach to image-making grounded in close attention to the people he photographs and films. Over the weekend, heโ€™ll unpack the intricacies of his methodโ€”both material and spiritualโ€”and introduce participants to the philosophy he calls the โ€œCamera Ministry.โ€

What does it mean to truly see another person? How can a camera become a means for connection rather than simply a tool for observation? How do intuition, repetition, proximity, conversation, trust, and vulnerability enter into the making of an image?

Through screenings, conversations, hands-on exercises, and a creative feedback session, weโ€™ll think closely about the relationships that form on either side of the lens and the responsibilities that come with making images of others.

Khalik will be joined by an incredible group of artists expanding the conversation around what happens when a camera mediates an encounter: filmmaker and cinematographer ๐—ฆ๐—ต๐—ฒ๐˜ƒ๐—ฎ๐˜‚๐—ป ๐— ๐—ถ๐˜‡๐—ฟ๐—ฎ๐—ต๐—ถ [Shevaun Mizrahi] will discuss her transition from cinematographer to director and the meeting of magical realism and vรฉritรฉ in her work, while legendary hip-hop photographer and cultural archivist ๐—๐—ฎ๐—บ๐—ถ๐—น ๐—š๐—ฆ [Jamil GS] will reflect on photography as a form of cultural memory.

Come ready to look closely, make images, share work, and reconsider what can happen when picking up a camera becomes an act of attention to another person and the world around you.

Early Bird Registration ends ๐—ก๐—ข๐—ฉ ๐Ÿณ โ€” register early to get $55 off! ๐—ฅ๐—˜๐—š๐—œ๐—ฆ๐—ง๐—˜๐—ฅ ๐Ÿ”— ๐—œ๐—ก ๐—•๐—œ๐—ข

10/05/2026

This ๐—ง๐—›๐—จ๐—ฅ๐—ฆ, ๐—ข๐—–๐—ง ๐Ÿด โ€” ๐Ÿณ:๐Ÿฏ๐Ÿฌ๐—ฃ๐— 

๐—ช๐—˜โ€™๐—ฅ๐—˜ ๐—ฆ๐—œ๐—–๐—ž ๐—ง๐—ข ๐——๐—˜๐—”๐—ง๐—› ๐—ข๐—™ ๐—”๐—Ÿ๐—Ÿ ๐—ง๐—›๐—œ๐—ฆ ๐—ก๐—ข๐—ก๐—ฆ๐—˜๐—ก๐—ฆ๐—˜ returns with round four: ๐˜‹๐˜๐˜๐˜ˆ๐˜š ๐˜‹๐˜Œ ๐˜”๐˜ˆ๐˜š ๐˜”๐˜œ๐˜Œ๐˜™๐˜›๐˜ˆ๐˜š. ๐Ÿ’€๐ŸŒผโœจ

Our shape-shifting multimedia series curated by poet ๐—–๐—ต๐—ฟ๐—ถ๐˜€๐˜๐—ถ๐—ป๐—ฒ ๐—Ÿ๐—ฎ๐—ฟ๐˜‚๐˜€๐˜€๐—ผ [ ______kiki___________ ] and writer/curator ๐—ฅ๐—ฎ๐—ฐ๐—ต๐—ฎ๐—ฒ๐—น ๐—ฅ๐—ฎ๐—ธ๐—ฒ๐˜€ [ ] merges live performance, reading, sound, and moving image โ€” not quite a reading, not quite performance, not ekphrasis. WS2DOATN is a porous encounter between words, images, and whatever slips through.

A true diva never really dies, does she? Itโ€™s October. Itโ€™s time to invoke thoseย merelyย departed from this plane, them baddies in our bones, keeping us keeping the flame.ย We, the nearly departed, will lay the marigolds on the altar together. Literally, bring your objects, amulets, and spells along. ๐Ÿ•ฏ๏ธ

Featuring:
โ€” Readings by poets ๐——๐—ผ๐—ฟ๐—ผ๐˜๐—ต๐—ฒ๐—ฎ ๐—Ÿ๐—ฎ๐˜€๐—ธ๐˜† [ ] & ๐—›๐—ฎ๐—ณ๐—ถ๐˜‡๐—ฎ๐—ต ๐—š๐—ฒ๐˜๐—ฒ๐—ฟ [ ]
โ€” A screening of ๐˜š๐˜–๐˜”๐˜Œ๐˜ž๐˜๐˜Œ๐˜™๐˜Œ ๐˜–๐˜•๐˜“๐˜  ๐˜ž๐˜Œ ๐˜’๐˜•๐˜–๐˜ž by ๐—๐—ฒ๐˜€๐˜€๐—ฒ ๐— ๐—ฐ๐—Ÿ๐—ฒ๐—ฎ๐—ป [ ]

Each edition begins with a phrase and lets it turn, unravel, and reassemble through fragments, feelings, artworks, live interventions, and the particular urgencies of the moment.

๐—š๐—ฅ๐—”๐—• ๐—ง๐—œ๐—–๐—ž๐—˜๐—ง๐—ฆ ๐Ÿ”— ๐—œ๐—ก ๐—•๐—œ๐—ข

10/01/2026

This ๐—ฆ๐—จ๐—ก, ๐—ข๐—–๐—ง ๐Ÿฐ โ€” ๐Ÿณ:๐Ÿฏ๐Ÿฌ๐—ฝ๐—บ Join us for a special evening with filmmaker and artist ๐—–๐—ฎ๐—ฟ๐—ผ๐—น๐—ถ๐—ป๐—ฒ ๐——๐—ฒฬ๐—ผ๐—ฑ๐—ฎ๐˜ [ ], bringing together three films that move between ethnography and fabulation, archival research and critical theory to reckon with the spectral lives of images and the histories of violence that continue to haunt them.

Weโ€™ll be screening ๐˜“๐˜ˆ๐˜•๐˜‹๐˜š๐˜“๐˜๐˜‹๐˜Œ๐˜š (2020), ๐˜œ๐˜•๐˜‹๐˜Œ๐˜™ ๐˜›๐˜๐˜Œ ๐˜š๐˜’๐˜  ๐˜–๐˜ ๐˜›๐˜๐˜Œ ๐˜๐˜Œ๐˜›๐˜๐˜š๐˜๐˜Œ๐˜š (2023), and Dรฉodatโ€™s newest work, ๐˜•๐˜–๐˜š๐˜›๐˜™๐˜ˆ ๐˜”๐˜Œ๐˜”๐˜–๐˜™๐˜๐˜ˆ (2026).

Across these works, Dรฉodat moves through colonial archives, personal genealogies, myth, dance, and landscape to trace the enduring imaginaries of slavery, colonialism, fascism, and Empire, while asking how histories erased or distorted by dominant narratives might be encountered otherwise.

Following the screening, Dรฉodat will be joined by writer, researcher, and film programmer ๐—ฌ๐—ฎ๐˜€๐—บ๐—ถ๐—ป๐—ฎ ๐—ฃ๐—ฟ๐—ถ๐—ฐ๐—ฒ [ ] for a conversation around their shared interests in African and Afro-diasporic expressive cultures, aesthetic remembrance, and the politics of camera-based technologies.

Come through!

๐—ง๐—œ๐—–๐—ž๐—˜๐—ง๐—ฆ ๐Ÿ”— ๐—œ๐—ก ๐—•๐—œ๐—ข

09/30/2026

This ๐—™๐—ฅ๐—œ, ๐—ข๐—–๐—ง ๐Ÿฎ โ€” ๐Ÿณ:๐Ÿฏ๐Ÿฌ๐—ฝ๐—บ

Join us for a special screening and conversation with essay filmmaker ๐—–๐—ต๐—ฎ๐—ฟ๐—น๐—ถ๐—ฒ ๐—ฆ๐—ต๐—ฎ๐—ฐ๐—ธ๐—น๐—ฒ๐˜๐—ผ๐—ป [.shackleton], kicking off our upcoming workshop weekend!

Weโ€™ll be screening two of Shackletonโ€™s recent films: ๐˜Š๐˜ˆ๐˜”๐˜Œ๐˜™๐˜ˆ ๐˜›๐˜Œ๐˜š๐˜› (๐˜’๐˜๐˜•๐˜Ž ๐˜Š๐˜ˆ๐˜‹๐˜‰๐˜œ๐˜™๐˜ ), a documentary readymade that turns a routine camera test into an investigation of a mysterious mid-century Cadburyโ€™s commercial preserved in family lore, alongside ๐˜ก๐˜–๐˜‹๐˜๐˜ˆ๐˜Š ๐˜’๐˜๐˜“๐˜“๐˜Œ๐˜™ ๐˜—๐˜™๐˜–๐˜‘๐˜Œ๐˜Š๐˜›, his ingenious account of the true crime documentary he tried and failed to make.

Winner of the NEXT Innovator Award at the 2025 Sundance Film Festival, ๐˜ก๐˜–๐˜‹๐˜๐˜ˆ๐˜Š ๐˜’๐˜๐˜“๐˜“๐˜Œ๐˜™ ๐˜—๐˜™๐˜–๐˜‘๐˜Œ๐˜Š๐˜› reconstructs Shackletonโ€™s unrealized film beat by beat, using vacant Bay Area landscapes, stylized re-enactments and his own wry narration to turn an abandoned project into a playful critique of true crime and its familiar conventions.

Following the screening, Shackleton will be in conversation with David Osit [ ] about first-person filmmaking, documentary persona, and what becomes possible when a filmmakerโ€™s own perspective and personality become part of the method. TIX at the ๐Ÿ”— IN BIO!

Address

352 Onderdonk Avenue
New York, NY
11385

Opening Hours

Friday 10am - 12am
Saturday 10am - 12am

Alerts

Be the first to know and let us send you an email when UnionDocs posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to UnionDocs:

Shortcuts

Share

Category