Cornell Cinema

Cornell Cinema Contact information, map and directions, contact form, opening hours, services, ratings, photos, videos and announcements from Cornell Cinema, Cinema, 104 Willard Straight Hall, Ithaca, NY.

Cornell Cinema has been cited as one of the best campus film exhibition programs in the country, screening over 150 different films/videos each year, five to seven nights a week in the beautiful Willard Straight Theatre.

05/29/2026

To celebrate their time at Cornell Cinema, our graduating seniors shared their Letterboxd Top Four favorite films!

Next up is Kai Nielson '26 with a decisive, rapid-fire top four. 🔥

Follow on and share your own four favorites below in the comments.

CONGRATULATIONS TO THE CORNELL CLASS OF 2026!Sending big love to the graduating members of our incredible student team L...
05/22/2026

CONGRATULATIONS TO THE CORNELL CLASS OF 2026!

Sending big love to the graduating members of our incredible student team Lily, Izzy, Ava I., Andy, Ava H., Genesis, Julia, Lauren, and Bell and to senior Student Advisory Board members Simeone, Franklin, and Kai.

You are what makes Cornell Cinema so special and we miss you already! 🥹🫶🏼🎓🥂❤️

Did you know that we take our suggestions box in the lobby very seriously?? 📝🧐🤔Here are a few audience suggested films t...
05/07/2026

Did you know that we take our suggestions box in the lobby very seriously?? 📝🧐🤔

Here are a few audience suggested films that made their way into our program this spring!

What films would you most like to see at Cornell Cinema next year? Comment below or share your feedback in our year-end survey, linked in our bio!

Thank you for another wonderful year of movie magic at Cornell Cinema! 🍿❤️🎟️We would like to learn more about your recen...
05/04/2026

Thank you for another wonderful year of movie magic at Cornell Cinema! 🍿❤️🎟️

We would like to learn more about your recent experience at Cornell Cinema and invite you to please complete our year-end survey, which is linked in our bio.

The survey should take less than 5 minutes to complete. At the end, you have the option to enter your email for a chance to win a Cornell Cinema prize pack. Your responses will help us make decisions about future Cornell Cinema programming.

We truly appreciate your insights and your feedback!

📸: THE CONVERSATION (1974, dir. Francis Ford Coppola)

Huge thanks to all who joined for our Mystery Screening last night! And our surprise movie was... THE FIREMEN'S BALL (19...
05/02/2026

Huge thanks to all who joined for our Mystery Screening last night! And our surprise movie was... THE FIREMEN'S BALL (1967), directed by Milos Forman. 🚒🎟️🔥🍺💃🏼

Released in 1967 — on the eve of the Prague Spring — THE FIREMEN’S BALL is a satirical comedy about a group of local firemen hosting a benefit gala, where just about everything goes wrong. The film is apparently inspired by Forman and his filmcrew’s encounter with an actual firemen’s ball and was shot in a small Czech town with a mostly nonprofessional cast.

At its core, THE FIREMEN'S BALL is a clear-eyed, deadpan exploration of human hubris: raffle prizes go missing, the guest of honor (a terminally ill 86-year-old fire captain) is repeatedly ignored, and a misogynistic beauty contest descends into chaos.

Milos Forman has always maintained that the film has no “hidden symbols or double meanings,” but it is hard not to read the film as a sly political allegory and critique of the bumbling leadership of the Communist Party. Its playful irony, wicked sense of humor, and dose of surrealism are characteristic of the Czech New Wave, a filmmaking movement that emerged in the late 1960's and used film to speak out about the hypocrisy and absurdity of the Communist state.

Despite their distinguished uniforms, their official rhetoric, and an overall sense of self-important authoritarianism, the leaders of THE FIREMAN’S BALL are presented as distractible, deceptive, self-interested, and, above all, incompetent. This sense of political allegory certainly would not have been lost on contemporary viewers in Czechoslovakia in 1967 — nor do we think it will be lost on our Cornell Cinema audience today.

The film was “banned forever” by the head of the Communist Party in Czechoslovakia and prompted Milos Forman’s relocation to the United States where he would go on to direct such films as AMADEUS, ONE FLEW OVER THE CUCKOO'S NEST, and THE PEOPLE VS. LARRY FLINT.

Thank you for another wonderful semester at Cornell Cinema!

Cornell Cinema and the Latin American and Caribbean Studies Program are delighted to present a special, free double feat...
04/29/2026

Cornell Cinema and the Latin American and Caribbean Studies Program are delighted to present a special, free double feature of films by Brazilian director Kleber Mendonça Filho
tonight (4/29) at 6:30pm and 8:30pm!

Brazil’s official selection for the 2024 Academy Awards®, PICTURES OF GHOSTS is a multidimensional journey through time, sound, architecture and filmmaking, set in the urban landscape of Recife, Brazilian coastal capital of Pernambuco. The film examines this historical and human territory through the great movie theatres that served as spaces of conviviality during the 20th century.

Having hosted dreams and progress, these places have also embodied a major transformation on social practices. Combining archive documentary, mystery, film clips and personal memories, PICTURES OF GHOSTS is a map of a city through the lens of cinema.

PICTURES OF GHOSTS will be presented at 6:30pm and followed by THE SECRET AGENT, the latest feature film from Kleber Mendonça Filho, which was nominated for the 2026 Academy Award® for Best Picture, at 8:30pm

THE SECRET AGENT stars Wagner Moura as a widower named Marcelo, who arrives in 1977 in Recife, Brazil, a city as vibrant as it is violent. Amid the raucous revelry of Carnival week, the technology researcher suddenly finds himself an unwitting target in the heart of the dictatorship's political maelstrom. In the midst of these mounting threats, Marcelo, with the help of a mysterious woman named Elza and her compatriots in the country's growing underground resistance movement, remains primarily focused on escaping Brazil with his young son.

FREE ADMISSION! Sponsored by the Latin American and Caribbean Studies Program (LACS) at the Einaudi Center for International Studies.

The screening is presented in conjunction with the course "Cinematic Cities", co-taught by Professors Cecelia Lawless (Romance Studies) and Patricia Keller (Comparative Literature).

Our once-a-semester Mystery Screening is a risk—and a study break—worth taking! 🕵🏼‍♀️❔🔎🎟️📽️Join Cornell Cinema to celebr...
04/29/2026

Our once-a-semester Mystery Screening is a risk—and a study break—worth taking! 🕵🏼‍♀️❔🔎🎟️📽️

Join Cornell Cinema to celebrate the end of the semester with a special surprise film screening on this Thursday, April 30 at 6pm.

What will our next mystery movie be? Don't miss your chance to discover a new favorite or be delighted by a classic film with our Cornell Cinema community. The secret will only be revealed when the screening begins!

Previous films have included Jonathan Lynn's My Cousin Vinny (1992), Fritz Lang's M (1931), Signe Baumane's My Love Affair with Marriage (2022), Jono McLeod's My Old School (2022), Brian de Palma's Blow Out (1981), and Sydney Pollack's The Way We Were (1973).

Tickets are only $5 each or free for All-Access Passholders. We can't wait to see you there!!!

The final program in our "Exploring Ethnographic Filmmaking" series explores sensory ethnography,  an approach that shif...
04/27/2026

The final program in our "Exploring Ethnographic Filmmaking" series explores sensory ethnography, an approach that shifts attention from representation toward immersion, embodiment, and perception. These films prioritize sound, movement, texture, and duration, inviting viewers to encounter social worlds through affective and corporeal experience rather than explanatory narration. In doing so, they push ethnographic film beyond description toward an engagement with how life is lived, felt, and sensed.

Join us at 4:30pm for Program 4: Sensory Ethnography, which features:

- Swim Lesson (2018, Melissa Lefkowitz, 8 min)
- Monsoon Reflections (2008, Stephanie Spray, 23 min)
- Leviathan (2012, Lucien Castaing-Taylor and Véréna Paravel, 87 min)

The works included exemplify how film can theorize through sensation, unsettling conventional distinctions between subject and object, observer and observed. This program closes the series by foregrounding ethnographic film as an argumentative and analytical practice - one that approaches anthropology not through distance, but through attunement, responsiveness, and being-with. Together, the films ask what new forms of anthropological insight become possible when the senses are treated not as supplementary to knowledge, but as central to its production.

The screening will be introduced by Natasha Raheja, Assistant Professor of Anthropology and Performing & Media Arts.

Free admission! Sponsored by the Department of Anthropology, the Nazaara Media Lab, Visual Anthropology Research Lab at Cornell University, the Department of Performing & Media Arts, the Southeast Asia Program, South Asia Program, Cornell Media Studies, and the Qualitative and Interpretive Research Institute (QuIRI).

On Monday 4/27 at 7:30pm, Cornell Cinema is pleased to present ROSEMEAD in collaboration with the Asian and Asian Americ...
04/26/2026

On Monday 4/27 at 7:30pm, Cornell Cinema is pleased to present ROSEMEAD in collaboration with the Asian and Asian American Center in honor of APIDA Heritage Month!

ROSEMEAD follows an immigrant mother in California’s San Gabriel Valley who uncovers her teenage son’s escalating deterioration of mental health, forcing her into agonizing decisions as her own health declines. Starring Lucy Liu and directed by Eric Lin, this true‑story drama speaks powerfully to mental‑health stigmas and the challenges families face in seeking help.

Critics have praised Liu’s work as extraordinary—Collider called her performance “Oscar‑worthy,” noting she “deserves the recognition” for her devastating and compassionate portrayal. For college audiences, ROSEMEAD offers a gripping narrative that also opens space for crucial conversations about cultural expectations, emotional well-being, and the pressures faced by APIDA (Asian Pacific Islander Desi American) communities.

Free admission! Sponsored by Asian and Asian American Center in Centers for Student Equity, Empowerment, and Belonging in the Dean of Students Office.

Following the screening, a CAPS clinician will help facilitate a reflective conversation about themes raised in the film, such as identity, belonging, family dynamics, and emotional wellbeing. The discussion space is intended to support thoughtful engagement with the film while offering context on how these experiences may intersect with mental health, cultural background, and help-seeking. We will also briefly share information about campus mental health resources available to students who may wish to seek further support.

Counseling and Psychological Services (CAPS) is part of Cornell Health and provides confidential mental health support to Cornell students. CAPS offers individual counseling, group therapy, crisis support, psychiatric consultation, and outreach programming.

Our final Science on Screen® event of the spring semester "A BIRDER'S GUIDE TO EVERYTHING and the Realities of Birds, Bi...
04/22/2026

Our final Science on Screen® event of the spring semester "A BIRDER'S GUIDE TO EVERYTHING and the Realities of Birds, Binoculars, and Breakthroughs" takes place on Thursday (4/23) at 6pm!

The sound, sight, and activity of birds marks the return of spring each year, but their populations are in trouble. North America has lost 3 Billion Birds – more than one in four – since 1970,and the recent 2025 State of the Birds Report, released by U.S. Committee of the North American Bird Conservation Initiative (NABCI), warns of continuing declines across all groups of birds and all habitats. Now is the time for policy changes and conservation action that protect the habitats that both birds and people depend on.

One of the key data sources for these findings is the Cornell Lab of Ornithology’s eBird, a collaborative enterprise fueled by a global community of >1 million amateur and professional birders who collectively have submitted over 2.2 billion observations since 2002. These observations are used by scientists, practitioners, decision-makers, and communities around the world to understand bird distribution, abundance, and population change.

In this Science on Screen® event, Amanda Rodewald, Garvin Professor and Faculty Director of the Center for Avian Population Studies at the Cornell Lab of Ornithology, and Chris Wood, Director of eBird and Program Director for the Center for Avian Population Studies, will discuss the intersection of birding, participatory science, and conservation efforts through the lens of the film A BIRDER'S GUIDE TO EVERYTHING (2013).

Drawing inspiration from this heartwarming coming-of-age story, Rodewald and Wood will share how eBird and other participatory science initiatives are advancing science and informing conservation decisions. Birding really can make a difference.

FREE ADMISSION! Science on Screen is an initiative of the Coolidge Corner Theatre in partnership with the Alfred P. Sloan Foundation.

Presented in collaboration with the Cornell Lab of Ornithology and the Cayuga Bird Club

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Ithaca, NY
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