Motion Picture Resources

07/08/2022

https://acescolorspace.com/

My name is Travis Saul and I'm a technical director and CG artist. In the past I've worked to build CG pipelines using ACES in production, built software tools to aid artists in using ACES day to day, and have worked to help artist understand the fundamentals of working in ACES. This modest site has...

04/08/2022

LUTCalc ❤️

http://cameramanben.github.io/LUTCalc/

LUTCalc: A Web App for generating, analysing and visualising 1D and 3D Lookup Tables (LUTs) for video cameras that shoot log gammas.

04/07/2022

Where exactly is Middle Gray?

https://xtremestuff.net/where-in-the-world-is-middle-gray/

It appears that in the digital world, nothing confounds people more than the concept of Middle Gray – second only to actually finding Carmen Sandiego. Where exactly is Middle Gray? Why are th…

04/05/2022

Display calibration

https://displaycal.net/

https://www.portrait.com/calman-calibration-software/

https://www.colorimetryresearch.com/

https://chromapure.com/

https://www.jeti.com/

Innovation in Light and Color Measuring Instruments

04/04/2022

Cinematography documentaries - Part 1

Visions of Light
https://www.youtube.com/watch?v=UmOQ5zwiI90

Cinematographer style
https://www.youtube.com/watch?v=U-gKaCH_Np4

The man who shot Chinatown: The life and work of John A. Alonzo
https://www.youtube.com/watch?v=taxXTQ3QHL4

JAMES WONG HOWE: CINEMATOGRAPHER
https://vimeo.com/15815385

CINÉMA CINÉMAS: STANLEY CORTEZ
https://www.youtube.com/watch?v=G_Sksqp-NL0

Cameraman: The Life and Work of Jack Cardiff (2010)
https://www.youtube.com/watch?v=EiV2saBbh8k&t=341s

DEAN SEMLER’S ROAD TO HOLLYWOOD
https://vimeo.com/180129597

Light and Shadow -- Greatest Cinematographers of the World, Interviewed
https://www.youtube.com/watch?v=MhOMCtHHN3o

Writing with light Vittorio Storaro
https://www.youtube.com/watch?v=2C-PJxxKpNc

An insightful documentary on one of the greatest Hollywood cinematographers, the talented John A. Alonzo, ASC (1934-2001). With more than 80 credits to his r...

03/19/2022

https://cinepedia.com/

The Technology Behind The Big Screen

03/19/2022

Color managment fundamentals & ACES workflows in Nuke

https://youtu.be/Hlj5ep-85ys

In this series, acclaimed filmmaker and VFX Supervisor, Victor Perez demystifies the science of color management and shows you how to work with ACES in Nuke....

03/19/2022

Same password for everything: MPR
Mismo password para todo: MPR

03/19/2022

The Complete ACES family resources

LINKS
https://mega.nz/file/8ARUXL7a

https://mega.nz/file/sARUHTIZ -UycT3H4J4MswYJfDHCP3FPK-M

https://mega.nz/file/IAQCibKZ

https://mega.nz/file/hBhggCDY -1xgvv3xmNeTCEE4Xa7N4Zc5sWLoU8

https://mega.nz/file/scIhyLoA -V4otsPa_wMd-aI0mJnM

https://mega.nz/file/gZYw1KxB -Qj-j6-XbR5PAcFU

https://mega.nz/file/1Zw20JQB -YeG0rwx2Czqs10rco5QCHVzUuZVR889WAdetzSk

List of documents

SMPTE ST 2065-1:2012 - Academy Color Encoding Specification (ACES)
SMPTE ST 2065-2:2012 - Academy Printing Density (APD): Spectral Responsivities, Reference Measurement Device and Spectral Calculation
SMPTE ST 2065-3:2012 - Academy Density Exchange Encoding (ADX): Encoding Academy Printing Density (APD) Values
SMPTE ST 2065-4:2013 - ACES Image Container File Layout
SMPTE ST 2065-5:2016 - Material Exchange Format: Mapping ACES Image Sequences into the MXF Generic Container
S-2013-001 - ACESproxy: An Integer Log Encoding of ACES Image Data
S-2014-003 - ACEScc: A Logarithmic Encoding of ACES Data for use within Color Grading Systems
S-2014-004 - ACEScg: A Working Space for CGI Render and Compositing
S-2016-001 - ACEScct: A Quasi-Logarithmic Encoding of ACES Data for use within Color Grading Systems
P-2013-001 - Recommended Procedures for the Creation and Use of Digital Camera System Input Device Transforms (IDTs)
TB-2014-001 - Academy Color Encoding System (ACES) Documentation Guide
TB-2014-002 - Academy Color Encoding System (ACES) Version 1.0 User Experience Guidelines
TB-2014-004 - Informative Notes on SMPTE ST 2065-1 - Academy Color Encoding Specification (ACES)
TB-2014-005 - Informative Notes on SMPTE ST 2065-2 - Academy Printing Density (APD) – Spectral Responsivities, Reference Measurement Device and Spectral Calculation and SMPTE ST 2065-3 Academy Printing Density Exchange Encoding (ADX) - Encoding Printing Density (APD) Values
TB-2014-006 - Informative Notes on SMPTE ST 2065-4 - ACES Image Container File Layout
TB-2014-007 - Informative Notes on SMPTE ST 268:2014 – File Format for Digital Moving Picture Exchange (DPX)
TB-2014-009 - Academy Color Encoding System (ACES) Clip-level Metadata File Format Definition and Usage
TB-2014-010 - Design, Integration and Use of ACES Look Modification Transforms
TB-2014-012 - Academy Color Encoding System (ACES) Version 1.0 Component Names
TB-2018-001 - Derivation of the ACES White Point CIE Chromaticity Coordinates

11/15/2021

Sony F-900

https://www.youtube.com/watch?v=dv3ebB1irwY

First video in a series about the history of film technology. A look at how George Lucas, together with Sony and Panavision, Star Wars Episode II: Attack of ...

11/14/2021

https://thecinelens.com/

a blog by Matthew Duclos

11/14/2021

A Japan-based rehousing company.

http://easternenterprises.biz/

If, you have either cine or stills lenses that you would like converted into macro, closer focus, or just a simple remount, we are the people to ask. Our conversions Include: Canon K35, Cooke, Leitz, Canon, Nikon, Bausch and Lomb, Kinoptic and Moviecam to name but a few.