Wat zijn de openingstijden?

Maandag 10:00 - 01:00 Dinsdag 10:00 - 01:00 Woensdag 10:00 - 01:00 Donderdag 10:00 - 01:00 Vrijdag 10:00 - 02:00 Zaterdag 10:00 - 02:00 Zondag 10:00 - 01:00

KINO Rotterdam

Startpagina
Nederland
Rotterdam
KINO Rotterdam

KINO Rotterdam is een bioscoop, bar, restaurant en creatieve werkplek (BURO) in de Gouvernestraat. Houd deze pagina in de gaten voor meer updates!
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KINO is de nieuwste bioscoop in het hart van Rotterdam, de Gouvernestraat. Een plek die niet alleen filmhistorisch belangrijk is (de geboorte van het IFFR, voormalige onderkomen van LantarenVenster) maar ook centraal staat in de geschiedenis van Rotterdam. KINO streeft ernaar deze traditie(s) voort te zetten. Film zal bij ons centraal staan, van de betere blockbusters tot arthouse. Een bioscoop voor en door filmliefhebbers. Let op: PIN ONLY.

14/08/2026

[𝗞𝗜𝗡𝗢 𝗖𝗼𝗺𝗶𝗻𝗴 𝗼𝗳 𝗔𝗴𝗲: 𝗧𝗵𝗲 𝗗𝗿𝗲𝗮𝗺𝗲𝗿𝘀] Bernardo Bertolucci’s late career Paris set film is a brooding trifecta of two siblings and a strapping young American, playfully exploring the boundaries of being roommates. While the 1968 student protest rages in the city, the th*****me lounges around naked, smoking ci******es, consuming (and re-enacting) Nouvelle Vague cinema while enjoying each other’s company. But as with all good things, they can’t last forever… French language with English subtitles.

11/08/2026

The Gallagher siblings are at it again, 25 years after their meteoric rise from the streets of ‘Madchester’ to international rock deities, the band returns for a sold out world tour. Don’t Look Back in Anger features rarely seen footage from their inception and early successes, interspersed with the most recent concerts to create a rounded and mesmerising portrait of the bad boys of Brit Pop, still on top of the game. The film will only screen on the four dates provided, so get those tickets. Screenings start 10 September.

07/08/2026

[𝗞𝗜𝗡𝗢 𝗖𝗼𝗺𝗶𝗻𝗴 𝗼𝗳 𝗔𝗴𝗲: 𝗧𝗵𝗶𝘀 𝗜𝘀 𝗘𝗻𝗴𝗹𝗮𝗻𝗱] Shane Meadows’ beautiful yet heart-wrenching semi-autobiographical depiction of Midlands adolescence during Thatcher’s reign of terror was never released in Dutch cinemas. So twenty years on, here’s your chance to see it on the big screen. We follow a young lad coming to terms with the loss of his dad killed in the Falklands and in desperate need of a father figure. He first falls in with a merry band of mixed-race skinheads, but soon some National Front thugs, lead by the volatile and hateful Combo (a superb Stephen Graham) invade the group, to tear it all apart.

Meadows brings a keen sensitivity to his films that can be felt in every performance, even with amateur kids recruited off the street and some well selected needle drops, the scenes are vivid, relatable and heartbreaking. English language without subtitles.

06/08/2026

[𝗥𝗼𝗯𝗶𝗻 𝗛𝗼𝗼𝗱: 𝗣𝗿𝗶𝗻𝗰𝗲 𝗼𝗳 𝗧𝗵𝗶𝗲𝘃𝗲𝘀 - 𝟯𝟱𝗺𝗺] It's difficult to overstate what this film meant for fans of Robin Hood (the Disney animation and the tv-series) and actor Kevin Costner, who at the time dominated Hollywood with an incredible run of quietly heroic leading turns starting with The Untouchables and arguably ending with Waterworld. But even Costner's star power, manifested here in feathered mullet and a questionable British brogue, was no match for the scenery-chewing brilliance of Alan Rickman's Sheriff of Nottingham. A character so repugnantly hilarious, the producers cut a chunk of his scenes as to not overpower Costner completely. A splendid supporting cast with Morgan Freeman, Mary Elizabeth Mastrantioni and (I guess) Christian Slater, was topped off by Brian Adams' cheesy power ballad behemoth to complete this mono-culture event so uniquely of its time it simply demands a comeback for its 35th anniversary, starting 3 September. Presented in 35mm.

04/08/2026

We love an Honest Trailer and here’s one on Idiocracy: the film that didn’t go far enough imagining our decline... We’re putting this here for you to watch after you’ve seen the film. Screenings start Thursday! Not to be missed.

31/07/2026

[𝗞𝗜𝗡𝗢 𝗖𝗼𝗺𝗶𝗻𝗴 𝗼𝗳 𝗔𝗴𝗲: 𝗙𝗮𝘁 𝗚𝗶𝗿𝗹] One of the pioneers of the New French Extremity movement, Catherine Breillat is not one to flinch from portraying s*xuality, framed within primal female desire and exploration. In Fat Girl, the twelve year old Anaïs has to cope with many problems: her excessive eating, the indifference of her parents and the mockery and juxtaposing beauty of her elder sister, who provides added audiovisual torture by insisting on having s*x with an Italian student while her little sister is present. Breillat is blunt, brutal even, with conveying Anaïs’ emotional and physical prison (her body) to the viewer. The controversial and shocking ending elicited much banning and pearl-clutching back in 2001, and to be honest, rightfully so. We hereby give a warning to viewers who are sensitive to (s*xual) violence to maybe steer clear of this one. French language with English subtitles.

26/07/2026

[𝗞𝗜𝗡𝗢 𝗖𝗼𝗺𝗶𝗻𝗴 𝗼𝗳 𝗔𝗴𝗲: 𝗔𝗹𝗹 𝗔𝗯𝗼𝘂𝘁 𝗟𝗶𝗹𝘆 𝗖𝗵𝗼𝘂-𝗖𝗵𝗼𝘂] The alienating and dreamlike All About Lily Chou-Chou is very much of its time, with the disembodied chat room text from fans of the titular pop star forming the emotional backbone of a chronologically jumbled look at rural adolescence. A way to escape the daily monotony seems inwards, through the music of the enigmatic artist, but connections through shared fandom – in person or through the newly emerging internet – brings two boys together. Director Shunji Iwai shot the entire film with the digital Sony HDW-F900R camera – rare for 2001 – that provides a home video look and feel, like experiencing someone’s personal memories.

23/07/2026

[𝗞𝗜𝗡𝗢 𝗖𝗼𝗺𝗶𝗻𝗴 𝗼𝗳 𝗔𝗴𝗲: 𝗠𝗼𝗼𝗻𝗹𝗶𝗴𝗵𝘁] The overwhelming success of Moonlight, now a decade ago, made Barry Jenkins an overnight sensation and (eventual) Best Film Oscar winner, yet his follow-up projects could never really recapture that strange magic of his break-out feature.

The three-part structured story of Kevin / Little / Black growing up and coming to terms with his identity, s*xuality and family hardships in a world that leaves little room for deviation, is stunningly visualized (much to the credit of cinematographer James Laxton) and masterfully acted. Especially Mahershala Ali, who seems to haunt the few scenes he’s given like a timeless spectre.

Adres

Gouvernestraat 129/133
Rotterdam
3014PM

Openingstijden

Maandag	10:00 - 01:00
Dinsdag	10:00 - 01:00
Woensdag	10:00 - 01:00
Donderdag	10:00 - 01:00
Vrijdag	10:00 - 02:00
Zaterdag	10:00 - 02:00
Zondag	10:00 - 01:00

Telefoon

010-2681160

Website

http://kinorotterdam.nl/

Meldingen

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