05/11/2025
There is something both urgent and comforting about film festivals—where the receding space for independent cinema is mourned and critiqued and the scope for its expansion is both plotted and imagined. It can feel like empty promises, but it can also feel like a roadmap to a new kind of future.
At the recently concluded 14th Dharamshala International Film Festival (DIFF)—which opened with Neeraj Ghaywan’s Homebound and closed with the India premiere of Anuparna Roy’s Venice winner Songs of Forgotten Trees —these questions were kept front and center as the programming, of around 80 feature and short films, rolled out. The films were being watched even as their destinies were being discussed.
At the ‘Vision and Voice’ masterclass, Kiran Rao (), the director of Laapataa Ladies, made the case for the filmmaker-entrepreneur, where a director must be “madly inventive in order to reach your audience… to think beyond the creative process and understand the business side of filmmaking”…
Rao is workshopping the idea of “Kindling Kino”, part of her production house Kindling Pictures, where independent filmmakers have a platform to showcase their film, own their IP, and get a share of the profit, if any is made.
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