The Garden Cinema

The Garden Cinema A repertory arts cinema in Covent Garden, London - screening curated films and seasons from around the world.
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๐๐จ๐ซ๐ญ๐ก ๐›๐ฒ ๐๐จ๐ซ๐ญ๐ก๐ฐ๐ž๐ฌ๐ญ is screening on Sun 18 Oct at 13:45 in tribute to Hollywood Golden Age icon Eva Marie Saint, who pass...
13/10/2026

๐๐จ๐ซ๐ญ๐ก ๐›๐ฒ ๐๐จ๐ซ๐ญ๐ก๐ฐ๐ž๐ฌ๐ญ is screening on Sun 18 Oct at 13:45 in tribute to Hollywood Golden Age icon Eva Marie Saint, who passed away earlier this month.

Book tickets ๐ŸŽŸ๏ธ

www.thegardencinema.co.uk

Delighted to be featured in ๐€๐ง ๐Ž๐ฉ๐ข๐ง๐ข๐จ๐ง๐š๐ญ๐ž๐ ๐†๐ฎ๐ข๐๐ž ๐ญ๐จ ๐…๐ข๐ฅ๐ฆ ๐‹๐จ๐ง๐๐จ๐ง by Nigel Smith, published by Hoxton Mini Press and out o...
08/10/2026

Delighted to be featured in ๐€๐ง ๐Ž๐ฉ๐ข๐ง๐ข๐จ๐ง๐š๐ญ๐ž๐ ๐†๐ฎ๐ข๐๐ž ๐ญ๐จ ๐…๐ข๐ฅ๐ฆ ๐‹๐จ๐ง๐๐จ๐ง by Nigel Smith, published by Hoxton Mini Press and out on 15 October ๐Ÿ“ฝ๏ธ๐Ÿ“–

Celebrating the art of film since 2022 ๐Ÿ“ฝ๏ธOctober is hereโ€ฆ one of our favourite times of the year to go to the cinema ๐Ÿ๐Ÿ‚V...
02/10/2026

Celebrating the art of film since 2022 ๐Ÿ“ฝ๏ธ
October is hereโ€ฆ one of our favourite times of the year to go to the cinema ๐Ÿ๐Ÿ‚
Visit our website for full listings and to book ๐ŸŽŸ๏ธ

www.thegardencinema.co.uk

๐‹๐š ๐Ÿ๐ž๐ฆ๐ฆ๐ž ๐ฉ๐ฎ๐›๐ฅ๐ข๐ช๐ฎ๐ž is screening on Thu 1st Oct as part of our season ๐ƒ๐ž๐ฏ๐ข๐ฅ๐ฌ ๐š๐ง๐ ๐’๐ก๐š๐ฆ๐š๐ง๐ฌ: ๐“๐ก๐ž ๐…๐ข๐ฅ๐ฆ๐ฌ ๐จ๐Ÿ ๐€๐ง๐๐ซ๐ณ๐ž๐ฃ ลป๐ฎล‚๐š๐ฐ๐ฌ๐ค๐ข.Th...
28/09/2026

๐‹๐š ๐Ÿ๐ž๐ฆ๐ฆ๐ž ๐ฉ๐ฎ๐›๐ฅ๐ข๐ช๐ฎ๐ž is screening on Thu 1st Oct as
part of our season ๐ƒ๐ž๐ฏ๐ข๐ฅ๐ฌ ๐š๐ง๐ ๐’๐ก๐š๐ฆ๐š๐ง๐ฌ: ๐“๐ก๐ž ๐…๐ข๐ฅ๐ฆ๐ฌ ๐จ๐Ÿ ๐€๐ง๐๐ซ๐ณ๐ž๐ฃ ลป๐ฎล‚๐š๐ฐ๐ฌ๐ค๐ข.
The film will be introduced by filmmaker Craig Williams.

An inexperienced young actress is invited to play a role in a film based on Dostoyevskyโ€™s The Possessed. The film director, a Czech immigrant in Paris, takes over her life, and in a short time she is unable to draw the line between acting and reality. She winds up playing a real-life role posing as the dead wife of another Czech immigrant, who is manipulated by the filmmaker into committing a political assassination.

Book tickets ๐ŸŽŸ๏ธ

24/09/2026

The Garden Cinema is delighted to present the fourth edition of our annual season dedicated to Taiwanese cinema โ€” ๐Œ๐š๐๐ž ๐ข๐ง ๐“๐š๐ข๐ฐ๐š๐ง.

Supported by the Ministry of Culture, Taiwan, this yearโ€™s programme continues to showcase the best of classic and contemporary works from the region.

At the heart of the season is a special focus on master cinematographer Mark Lee Ping-bing, who joins us in London for a selection of seven films from his remarkable career spanning five decades.

Filmmaker in Focus: Mark Lee Ping-bing:
Flight of the Red Balloon (2007) โ€” rarely screened
Millennium Mambo (2001)
The Time to Live and the Time to Die (1985)
The Assassin (2015) โ€” with Q&A
Flowers of Shanghai (1998) โ€” with Q&A + Taiwan Night reception
The Dull Ice Flower (1989) โ€” UK premiere, presented by Lee
Strawman (1987)

Leeโ€™s cinematography is represented in Strawman (1987), the first chapter of Wang Toonโ€™s celebrated โ€˜Modern Taiwan Trilogyโ€™. Together with Banana Paradise (1989) and Hill of No Return (1992), the trilogy traces ordinary Taiwanese lives through Japanese colonial rule, the upheavals of 1949, and the early Kuomintang era.

Taiwanโ€™s colonial past is approached differently in Huang Ya-liโ€™s award-winning documentary Le Moulin (2015), an evocative collage of archival footage, writings, and reenactment exploring surrealist-inspired poets in 1930s Taiwan. Huang will join us online for a post-screening Q&A.

Continuing the tradition of previous editions, we will again celebrate masters of Taiwanese cinema. Edward Yangโ€™s Taipei Story (1985) will be screened in memory of the late critic and programmer Tony Rayns, Tsai Ming-liang reunites with his muse Lee Kang-sheng in the melancholic What Time Is It There? (2001), and King Huโ€™s newly restored Raining in the Mountain (1979) blends martial arts with Buddhist philosophy amid spectacular mountain landscapes.

Alongside Q&As, many screenings will feature expert introductions. Audiences are also welcome to join us for a Taiwanese-flavoured launch event in partnership with Kung Fu Mama, and our Taiwan Cinema Night reception towards the end of th

Now Showing at The Garden Cinema.๐๐ข๐ญ๐ญ๐ž๐ซ ๐‚๐ก๐ซ๐ข๐ฌ๐ญ๐ฆ๐š๐ฌ tells two alternating stories, one starring Elsa, an advertising direc...
28/08/2026

Now Showing at The Garden Cinema.

๐๐ข๐ญ๐ญ๐ž๐ซ ๐‚๐ก๐ซ๐ข๐ฌ๐ญ๐ฆ๐š๐ฌ tells two alternating stories, one starring Elsa, an advertising director, in 2004, during a long weekend in December. The second takes place in 2026 and stars Raรบl, a screenwriter and director who is writing a script that we soon discover is the story of Elsa, her boyfriend Bonifacio, and her friends Patricia and Natalia. Mixed with fiction, Elsa is, in a way, Raรบlโ€™s alter ego, who, like him, resorts to autofiction as a solution to a long period of creative drought. He looks inside himself, and he canโ€™t help but also look at the people who make up his most intimate universe: his partner and his assistant. The film narrates the close relationship between reality and fiction, between inspiration and life, exploring the limits of autofiction and stories within stories.

๐“๐ก๐ž ๐†๐š๐ซ๐๐ž๐ง ๐‚๐ข๐ง๐ž๐ฆ๐š ๐•๐ข๐ž๐ฐ:

Despite acknowledging Bitter Christmas as Almodรณvarโ€™s return to form, some reviewers have also dismissed it as overly self-referential.
We beg to disagree. After all, Fellini did the same thing in 8ยฝ, and nobody holds it against him.

Ultimately, Bitter Christmas is a complex, gripping, and thought-provoking meditation on the ethics of writing and the relationship between artists and their work. Hereโ€™s the paradox: making great art seems to demand a healthy dose of narcissism, one that can as easily damage the a creators closest relationships. Where is the line drawn?

Dazzled by the boldness and campness of Almodรณvarโ€™s aesthetics, itโ€™s easy to forget his filmography is grounded in the impeccably crafted screenplays he writes himself. Bitter Christmas is another; one in which the art of writing becomes both the subject and the source of suspense โ€“ so skilfully crafted that it makes the whole thing look effortless.

Book tickets ๐ŸŽŸ๏ธ

โ€˜๐˜Š๐˜ช๐˜ฏ๐˜ฆ๐˜ฎ๐˜ข ๐˜ค๐˜ข๐˜ฏ ๐˜ง๐˜ช๐˜ญ๐˜ญ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฎ๐˜ฑ๐˜ต๐˜บ ๐˜ด๐˜ฑ๐˜ข๐˜ค๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ญ๐˜ช๐˜ง๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ญ๐˜ฐ๐˜ฏ๐˜ฆ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ๐˜ด๐˜ดโ€™. Pedro Almodรณvarโ€˜s ๐—•๐—œ๐—ง๐—ง๐—˜๐—ฅ ๐—–๐—›๐—ฅ๐—œ๐—ฆ๐—ง๐— ๐—”๐—ฆ is showing at...
24/08/2026

โ€˜๐˜Š๐˜ช๐˜ฏ๐˜ฆ๐˜ฎ๐˜ข ๐˜ค๐˜ข๐˜ฏ ๐˜ง๐˜ช๐˜ญ๐˜ญ ๐˜ช๐˜ฏ ๐˜ต๐˜ฉ๐˜ฆ ๐˜ฆ๐˜ฎ๐˜ฑ๐˜ต๐˜บ ๐˜ด๐˜ฑ๐˜ข๐˜ค๐˜ฆ๐˜ด ๐˜ฐ๐˜ง ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ญ๐˜ช๐˜ง๐˜ฆ ๐˜ข๐˜ฏ๐˜ฅ ๐˜บ๐˜ฐ๐˜ถ๐˜ณ ๐˜ญ๐˜ฐ๐˜ฏ๐˜ฆ๐˜ญ๐˜ช๐˜ฏ๐˜ฆ๐˜ด๐˜ดโ€™. Pedro Almodรณvarโ€˜s ๐—•๐—œ๐—ง๐—ง๐—˜๐—ฅ ๐—–๐—›๐—ฅ๐—œ๐—ฆ๐—ง๐— ๐—”๐—ฆ is showing at The Garden Cinema from Fri 28 Aug ๐Ÿ“ฝ๏ธ

24/08/2026

๐˜๐˜ง ๐˜ช๐˜ต ๐˜จ๐˜ฆ๐˜ต๐˜ด ๐˜ต๐˜ฐ๐˜ฐ ๐˜ณ๐˜ฆ๐˜ข๐˜ญ, ๐˜บ๐˜ฐ๐˜ถ ๐˜ค๐˜ข๐˜ฏ ๐˜ข๐˜ญ๐˜ธ๐˜ข๐˜บ๐˜ด ๐˜ต๐˜ถ๐˜ณ๐˜ฏ ๐˜ช๐˜ต ๐˜ฐ๐˜ง๐˜ง.

Jane Schoenbrunโ€˜s Teenage S*x and Death at Camp Miasma is now showing at The Garden Cinema.

๐“๐ก๐ž ๐†๐š๐ซ๐๐ž๐ง ๐‚๐ข๐ง๐ž๐ฆ๐š ๐•๐ข๐ž๐ฐ:

Across her three feature films to date Jane Schoenbrun has established an innate grasp of the ways in which people engage with media, and a remarkable ability to translate these experiences into cinema. Weโ€™re All Going to the Worldโ€™s Fair was coming-of-age for the terminally online, whilst I Saw the TV Glow explored the role of nostalgia and television in identity formation for misfit 90s kids. With Teenage S*x and Death at Camp Miasma Schoenbrun sets their sights on how 80s slasher fandom and filmmaking has impacted upon film studies, cultural theory, and gender politics. But whilst this is a film full of complex ideas, Camp Miasma never feels over-intellectualised. Schoenbrun instead enjoyably and lightly parodies many of these positions, understanding that the enjoyment of horror film, and indeed the self-identification found within, arises from an tangibly emotional place. As with their earlier films, this is an felt experience and a sensory rabbit hole which often defies conventional narrative logic.

Beyond and besides this, Camp Miasma is also a meta-textual-horror love letter in the mode of Wes Cravenโ€™s New Nightmare (amusingly referenced at one point), and also an erotic psychodrama which quotes Sunset Boulevard (directly) and Persona (visually). All of which wouldnโ€™t work without the very funny and sensual chemistry of the central performances from Hannah Einbinder and Gillian Anderson. This is a film to indulge in. An invigorating and inspiring experience, and a fitting close to Schoenbrunโ€™s impressive โ€˜Screen Trilogyโ€™.

Book now ๐ŸŽŸ๏ธ

๐˜๐˜ต ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜จ๐˜ฐ๐˜ฅ๐˜ด ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฎ๐˜ข๐˜ฏ, ๐˜ฃ๐˜ถ๐˜ต ๐˜ณ๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฎ๐˜ข๐˜ฏ ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ฉ๐˜ข๐˜ด ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜จ๐˜ฐ๐˜ฅ๐˜ด.Le Mรฉpris [Jean-Luc Godard, 1963]      ...
10/08/2026

๐˜๐˜ต ๐˜ช๐˜ด ๐˜ฏ๐˜ฐ๐˜ต ๐˜ต๐˜ฉ๐˜ฆ ๐˜จ๐˜ฐ๐˜ฅ๐˜ด ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ฉ๐˜ข๐˜ท๐˜ฆ ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ฎ๐˜ข๐˜ฏ, ๐˜ฃ๐˜ถ๐˜ต ๐˜ณ๐˜ข๐˜ต๐˜ฉ๐˜ฆ๐˜ณ ๐˜ฎ๐˜ข๐˜ฏ ๐˜ธ๐˜ฉ๐˜ฐ ๐˜ฉ๐˜ข๐˜ด ๐˜ค๐˜ณ๐˜ฆ๐˜ข๐˜ต๐˜ฆ๐˜ฅ ๐˜ต๐˜ฉ๐˜ฆ ๐˜จ๐˜ฐ๐˜ฅ๐˜ด.

Le Mรฉpris [Jean-Luc Godard, 1963]

10/08/2026

๐‚๐ณ๐ž๐œ๐ก๐จ๐ฌ๐ฅ๐จ๐ฏ๐š๐ค ๐๐ž๐ฐ ๐–๐š๐ฏ๐ž at The Garden Cinema.

Throughout September and October, in collaboration with theย Czech Centre Londonย and as part of the 30th Made in Prague Festival, we present masterpieces from the Czechoslovak New Wave.
Of all the cinematic movements that swept the globe in the aftermath of the Second World War, the Czechoslovak New Wave stands out as one of the most politically focused and creatively integrated of them all. From the early 1960s to the aftermath of the Prague Spring in 1968, a group of filmmakers, who trained at the Film and TV School of the Academy of Performing Arts (FAMU) and worked out of the state-owned Barrandov studios in Prague, created a series of films which, to this day, are remarkable in their thematic complexity, daring satire, and dazzling formal experimentation.

With special thanks to Second Run DVD, who provided many of the films in this season.

For more details and to book ๐ŸŽŸ๏ธ see our website
www.thegardencinema.co.uk

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39-41, Parker Street
London
WC2B5PQ

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