28/08/2026
BLACULA (1972)
Kicking off tonight's Double Bill is a film I absolutely adore: this funky slice of Blaxploitation Horror. I first encountered it late one night on BBC 2 during the 90s, though I can't quite recall if it was part of Moviedrome or just airing solo, or if it was paired with its sequel. Regardless, I loved it!
The story begins in 1780, where African prince Mamuwalde and his beloved wife Luva visit Count Dracula in Transylvania to seek his help in ending the slave trade. Instead, Dracula offends them and transforms Mamuwalde into a vampire, cursing him with the name Blacula. He then traps Blacula in a coffin and leaves Luva to die in the chamber. Fast forward to 1972, when two gay interior decorators, Bobby McCoy and Billy Schaffer, travel to Transylvania to acquire antiques, including Blacula's coffin, which they plan to ship to Los Angeles. Upon opening the coffin, they are attacked by the bloodthirsty Blacula. Shortly after, he spots Tina at a funeral home—she bears an uncanny resemblance to Luva—and believes she is her reincarnation. Blacula later encounters Tina at a nightclub, where she is celebrating her sister Michelle's anniversary with Dr. Gordon Thomas, an LAPD pathologist who suspects vampire activity behind a series of mysterious deaths in L.A. He’s determined to gather evidence to convince his colleague, Lt. Jack Peters. William Marshall is outstanding as Prince Mamuwalde, aka Dracula’s Soul Brother Blacula, bringing depth and gravitas to the role. As the first Blaxploitation Horror film, it paved the way for a sequel, which I plan to watch next. It was also one of the highest-grossing films of 1972. The film features a fantastic and funky score from Gene Page, including contributions from The Hues Corporation—I've even included tracks from the soundtrack on my Radio show now and again. Thalmus Rasulala delivers a cracking performance as Dr. Gordon Thomas, our black Van Helsing and hero, as he investigates the unusual deaths, all victims mysteriously drained of blood. The entire cast shines, helping the film maintain its charm without veering into parody. While it has some goofy moments, likely due to budget limitations—especially regarding the fangs and Dracula’s brides at the beginning—it captures the essence of its time beautifully. There are some fantastic sequences, like the scene with the undead cab driver chasing Elisha Cook Jr.'s character, Sam. The eerie imagery of the vampirized cabbie running in slow motion toward the camera is simply brilliant, reminiscent of a similar scene years later in Fright Night Part II featuring a roller-skating vampire.
If you haven’t seen this gem, I highly recommend it. The Eureka Blu-ray edition is definitely the one to grab, as it includes the sequel as well. Personally, I own that, along with the Scream Factory releases, the soundtrack on vinyl, a Blacula mask, and two figures—one from each film. What can I say, I’ve become quite the fan.