ShareGrid

The largest and most trusted marketplace for the creative community. Rent, buy, or sell gear.

05/11/2026

1/4 20 screws are carrying the whole industry 🙌

Are you team 1/4 or team 3/8 screw?

Tell us in the comments! 👇

🎥:
________________________________________

Use Hashtag and tag us to be featured!
•
•
•
•
•

05/08/2026

Where’s our Gen Z Focus Pullers at? 😆

Tag them in the comments! 👇

🎥:
________________________________________

Use Hashtag and tag us to be featured!
•
•
•
•
•

05/07/2026

A simple setup with epic results! ✝️

By using a mirror and covering it up with cardboard to get the shape of a cross, they got this really cool lighting effect.

They used an .lighting 600c with the Spotlight Mount and shined it at the mirror.

You can see the incredible results at the end!

What shapes would you try with this setup?

Tell us in the comments! 👇

🎥: .studio
________________________________________

Use Hashtag and tag us to be featured!
•
•
•
•
•

05/06/2026

We’ve all met that uncle who knows everything 🤣

Have you ever been in this kind of situation?

Tell us in the comments! 👇

🎥: marcbueller
________________________________________

Use Hashtag and tag us to be featured!
•
•
•
•
•

05/05/2026

Jake Gyllenhaal reveals what it’s actually like to work with legendary cinematographer Roger Deakins ()

It’s not just about setting up a shot…

It’s a masterclass in visual storytelling where every beam of light acts as a clue.

Witness how Deakins uses shadows and reflections to turn an entire film into a complex, beautiful puzzle that manipulates exactly what the audience sees.

As well as what they miss…

🎥:
________________________________________

Use Hashtag and tag us to be featured!
•
•
•
•
•

05/04/2026

Imagine looking out your window and just seeing this guy roll in with a big lamp 💀

🎥:
________________________________________

Use Hashtag and tag us to be featured!
•
•
•
•
•

05/03/2026

“Inception” (2010)

Directed by Christopher Nolan
Cinematography by Wally Pfister ()

Camera & Lens:
Arriflex 235, Panavision Primo and G-Series Lenses
Arriflex 435 ES, Panavision Primo and G-Series Lenses
Beaumont VistaVision Camera, Panavision Primo Lenses (aerial shots)
Panavision 65 HR Camera, Panavision System 65 Lenses (some scenes)
Panavision Panaflex Millennium XL, Panavision C-, E-, G-Series and Super High Speed Lenses
Panavision Panaflex System 65 Studio, Panavision System 65 Lenses (some scenes)
Photo-Sonics 4C, Panavision Primo Lenses
Photo-Sonics 4ER, Panavision Primo Lenses

Aspect Ratio:
2.39 : 1

Negative Format:
35 mm (also horizontal) (Kodak Vision2 50D 5201, Vision3 250D 5207, Vision3 500T 5219)
65 mm (Kodak Vision3 250D 5207, Vision3 500T 5219)

Cinematographic Process:
Dolby Vision
Panavision (anamorphic)
Panavision Super 70 (some scenes)
VistaVision (aerial shots)

Printed Film Format:
35 mm (Kodak Vision 2383)
70 mm (also horizontal) (IMAX DMR blow-up) (Kodak Vision 2383)
D-Cinema

📷: .cinematography
________________________________________

Use Hashtag and tag us to be featured!
•
•
•
•
•

05/02/2026

Ever wanted to pull off a Dolly Zoom with your drone?

shows us how to!

A dolly zoom is traditionally done by pushing in or pulling out while Zooming the lens in the opposite direction.

The goal is to keep the subject the same size in the frame, while the environment around them gets compressed or uncompressed.

You can achieve the same effect using a drone with Zoom capabilities!

A Pro Tip from Nir is to keep it at around 70% backwards flight & 50% zoom speed.

This takes some practice, but once you perfect it, the results are incredible!

🎥:
________________________________________

Use Hashtag and tag us to be featured!
•
•
•
•
•

05/01/2026

That’s one way to light a scene 😂🙌

The Lamp Operator sitting on top of a crane, giving them the ability to pan and tilt the lamp head as needed!

🎥:
________________________________________

Use Hashtag and tag us to be featured!
•
•
•
•
•

04/30/2026

The setup vs the shot!

Here’s what had to say:

We decided to use the FX3 and the 14mm gm to get the perfect wide angle on the cookie sheet.

We taped it down to keep it steady so the camera wouldn’t lean or move.

We also put a light inside the oven on the top shelf as the cookies go on to ensure to like the cookies properly.

We shot in SLog3 to make sure we had the most dynamic range we could get for that shot.

Overall, what did you think?

🎥:
________________________________________

Use Hashtag and tag us to be featured!
•
•
•
•
•

04/29/2026

The Camera Behind F1 The Movie 🏎️

built a compact, high-speed camera system designed for one thing: getting impossibly dynamic shots in tight spaces.

At the core is the Venice 2 Rialto Mini — a full-frame 8.6K sensor separated into a tiny, ultra-light sensor block, giving you cinema-level image quality in places a traditional camera physically can’t go.

Paired with the 9mm T5.8 Cine, one of the widest rectilinear full-frame lenses available, delivering an extreme 134.8° field of view without heavy distortion.

And combined with the Speed Pan system, allowing for aggressive, repeatable high-speed camera movement.

This setup isn’t about traditional coverage — it’s about perspective.

Ultra-wide. Ultra-close. Completely immersive.

Built for speed. Built for motion. Built to go where other cameras can’t.

🎥:
________________________________________

Use Hashtag and tag us to be featured!
•
•
•
•
•

Address

Los Angeles, CA

Website

http://sharegrid.com/

Alerts

Be the first to know and let us send you an email when ShareGrid posts news and promotions. Your email address will not be used for any other purpose, and you can unsubscribe at any time.

Contact The Business

Send a message to ShareGrid:

Shortcuts

Want your business to be the top-listed Cinema in Los Angeles?