Time in Pixels

08/31/2026

08/26/2026

We're heading to IBC2026 with Nobe OmniScope Pro and the Live Pack add-on!

RedShark News covers how Live Pack extends OmniScope beyond the grading suite into on-set, DIT, and live production workflows with native Pomfort Livegrade integration, SDI output for broadcast monitoring, multi-input layouts, and more.

Catch us at the show, or read the full breakdown here 👇

Time in Pixels wil show Nobe OmniScope Pro and Live Pack at IBC2026, adding SDI output, multi-input monitoring and Pomfort Livegrade integration for live production.

08/25/2026

"Managing client expectations is the biggest challenge of being a colorist today. We work in calibrated rooms with the best equipment, while clients watch on consumer-grade tablets and laptops - clear expectation-setting is critical."

Jason Bowdach, Colorist & Finishing Artist

Full story → https://timeinpixels.com/blog/omniscope-featured-artist-jason-bowdach/

08/19/2026

4K monitoring just got more affordable!

Getting a 4K signal into your scopes has traditionally meant a significant investment in hardware. The new Blackmagic UltraStudio Mini Recorder 12G offers a more accessible route capturing 12G-SDI and HDMI in SD, HD and Ultra HD and working with Nobe OmniScope.

08/13/2026

Your image tells you more than you think.

The Source Signal in Nobe OmniScope is more than just an image viewer. It gives you the tools to inspect, analyse and understand exactly what’s happening in your image. Whether you’re checking skin tones, exposure, saturation, focus or a specific pixel, Source Signal helps you stop guessing and start measuring.

08/10/2026

"Every film deserves its own visual identity."

For Costa Rican colourist Chisco Arce, colour grading isn't about creating a signature look - it's about helping every story find its own voice.

Working across feature films, documentaries and television, Chisco shares how collaboration with directors and cinematographers shapes his creative process, why technical accuracy is only the foundation of great grading, and how tools like Nobe OmniScope support his workflow from look development through to final delivery.

Read the full interview and discover how one of Latin America's leading colourists approaches storytelling through colour.

08/03/2026

"Scopes are indispensable, especially when your eyes are tired or you're preparing to export the final master. On set, we rarely have the luxury of perfectly controlled ambient lighting, so referencing scopes is essential."

Mike Starkov, Colorist & DIT

Full story → https://timeinpixels.com/blog/featured-artist-mike-starkov/

07/30/2026

Thinking about adding Nobe OmniScope to your workflow?

Our latest FAQ answers some of the questions we hear most often, including:

What Nobe OmniScope is
Which video sources you can monitor
How licensing and activations work
Performance and system requirements

If you're considering OmniScope or just want to learn more, this is a great place to start.

07/22/2026

Summer just got better. Get 20% OFF Nobe OmniScope & Live Pack for a limited time.

Professional scopes. Faster workflows. Better grades.

Use code SUMMER20 before it's gone.

07/20/2026

We caught up with DI colorist Tashi Trieu, now co-founder of MOSAIC Post Production, on how his workflow evolved from Avatar: The Way of Water to Avatar: Fire and Ash.

The scale this time: 16 discrete picture formats, including the first HDR by Barco 3D release, and over 1,500 unique DCPs delivered globally.

But it isn't all about the delivery count - it's what stayed consistent after all. Tashi graded in DaVinci Resolve 20 with a modular node tree, using Nobe OmniScope's Source Signal and Histogram qualifiers to isolate the blues of Na'vi skin tones and keep continuity across all shots and formats.

Read the full conversation on how our scopes shaped the grade: https://timeinpixels.com/blog/featured-artist-tashi-trieu-fire-and-ash

DI colorist Tashi Trieu returns to Pandora to grade Avatar: Fire and Ash; 16 picture formats, 1,500+ DCPs, and OmniScope as a precision tool across the pipeline.