01/10/2025
I was blown away by One Battle After Another. I made the pilgrimage to Leicester Square to see it in VistaVision. One of only four prints in the world.
The first night I went with my good friend , who has a cinema mega-brain and will no doubt be an immense director one day. The perfect companion to discuss and dissect the intense brilliance of PTA’s latest masterpiece. With a packed audience, it reminded me why cinema is a collective experience. Hearing a room full of people laugh, gasp, and share the tension together is pure magic. And with reclining seats, that’s a welcome luxury for a two-hour-forty-five film that absolutely whizzes by once you’re buckled in.
This is a wild ride. To think it was written twenty years ago yet feels most relevant today says everything about the lunacy we’re living through on both sides.
There are beautiful performances led by Leo. Benicio del Toro is incredible, wait until you see his little DUI shimmy. Sean Penn’s priapismic Steve Lockjaw is a stand (up) out performance. And Chase Infinity? A glowing revelation.
Jonny Greenwood’s score is thumping yet delicate, heart-racing elegance. The car sequences are nerve-wracking, adrenaline-fuelled action at its best and the River of Hills sequence is pure seat-of-your-pants tension.
The second time round, I was able to relax into it more. With the story already in my bones, I leaned into the craft, especially the editing, shifting from big to small in a way that VistaVision does best. I found myself appreciating the music cues even more, each one expertly chosen and orchestrated.
A smaller crowd this time, but no less enjoyable. I had a special guest beside me and Richard E. Grant was in the audience, which gave the afternoon a certain Withnail glow.
I’ll be seeing it again this Thursday, 16:30 at The Palace with join me if you can.